Realism. Cet article n’est pas disponible.
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Langue : anglais
Edité par Cambridge University Press, 1997
- Livre broché
- Occasion

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A propos de cet article
Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
N° de réf. du vendeur 3321536-6
- Titre
- Realism
- Auteur
- Malpas, James
- Éditeur
- Cambridge University Press
- Année de publication
- 1997
- État de l'article
- Good
- Reliure
- Couverture souple
- Langue
- anglais
- ISBN à 10 chiffres
- 0521627575
- ISBN à 13 chiffres
- 9780521627573
- Poids de l'article
- 0,642 livre
- Dimensions
- N/A
Realism in the art of the twentieth century is striking for its diversity. Although not bound together stylistically or by a manifesto of intention, a common thread in realist art is a commitment to the modern world and to things as they appear, whether it be the domestic claustrophobia depicted in Sickert's 'Ennui' or the social observation of urban nightlife in Weimar Germany in the work of Christian Schad and Georg Schrimpf. James Malpas examines the so-called 'socialist realism' of Stalin's Soviet Union and the condemnation of artists and works not conforming to the acadmic-realist scruples of Adolf Hitler. With the triumph of Abstract Expressionism in the 1950s realism may have been thought outmoded, but its varied and vibrant quality was to be revealed in the 'Pop Art' backlash in the United States and Britain, in the work of David Hockney, Richard Hamilaton, and Andy Warhol.
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Présentation de l'éditeur
Realism in the art of the twentieth century is striking for its diversity. Although not bound together stylistically or by a manifesto of intention, a common thread in realist art is a commitment to the modern world and to things as they appear, whether it be the domestic claustrophobia depicted in Sickert's 'Ennui' or the social observation of urban nightlife in Weimar Germany in the work of Christian Schad and Georg Schrimpf. James Malpas examines the so-called 'socialist realism' of Stalin's Soviet Union and the condemnation of artists and works not conforming to the acadmic-realist scruples of Adolf Hitler. With the triumph of Abstract Expressionism in the 1950s realism may have been thought outmoded, but its varied and vibrant quality was to be revealed in the 'Pop Art' backlash in the United States and Britain, in the work of David Hockney, Richard Hamilaton, and Andy Warhol.
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