Redrawing the Historical Past: History, Memory, and Multiethnic Graphic Novels

ISBN 10: 0820352012 / ISBN 13: 9780820352015

Edité par University of Georgia Press, 2018

A propos de cet article

HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Standard-sized.

N° de réf. du vendeur M0820352012Z4

Détails bibliographiques

• Titre: Redrawing the Historical Past: History, Memory, and Multiethnic Graphic Novels
• Éditeur: University of Georgia Press
• Date de parution: 2018
• Langue: anglais
• ISBN à 10 chiffres: 0820352012
• ISBN à 13 chiffres: 9780820352015
• Reliure: Hardcover
• État de l'article: Acceptable

A propos de ce titre

Synopsis

Redrawing the Historical Past examines how multiethnic graphic novels portray and revise U.S. history. This is the first collection to focus exclusively on the interplay of history and memory in multiethnic graphic novels. Such interplay enables a new understanding of the past. The twelve essays explore Mat Johnson and Warren Pleece’s Incognegro, Gene Luen Yang’s Boxers and Saints, GB Tran’s Vietnamerica, Scott McCloud’s The New Adventures of Abraham Lincoln, Art Spiegelman’s post-Maus work, and G. Neri and Randy DuBurke’s Yummy: The Last Days of a Southside Shorty, among many others. The collection represents an original body of criticism about recently published works that have received scant scholarly attention. The chapters confront issues of history and memory in contemporary multiethnic graphic novels, employing diverse methodologies and approaches while adhering to three main guidelines. First, using a global lens, contributors reconsider the concept of history and how it is manifest in their chosen texts. Second, contributors consider the ways in which graphic novels, as a distinct genre, can formally renovate or intervene in notions of the historical past. Third, contributors take seriously the possibilities and limitations of these historical revisions with regard to envisioning new, different, or even more positive versions of both the present and future. As a whole, the volume demonstrates that graphic novelists use the open and flexible space of the graphic narrative page—in which readers can move not only forward but also backward, upward, downward, and in several other directions—to present history as an open realm of struggle that is continually being revised. Contributors: Frederick Luis Aldama, Julie Buckner Armstrong, Katharine Capshaw, Monica Chiu, Jennifer Glaser, Taylor Hagood, Caroline Kyungah Hong, Angela Lafien, Catherine H. Nguyen, Jeffrey Santa Ana, and Jorge Santos.

À propos des auteurs

MARTHA J. CUTTER is a professor of English and Africana studies at the University of Connecticut. She is the author of Lost and Found in Translation: Contemporary Ethnic American Writing and the Politics of Language Diversity and Unruly Tongue: Identity and Voice in American Women's Writing, 1850-1930.

CATHY J. SCHLUND-VIALS is a professor of English and Asian American studies at the University of Connecticut. She is the author of Modeling Citizenship: Jewish and Asian American Writing and War, Genocide, and Justice: Cambodian American Memory Work.

JULIE BUCKNER ARMSTRONG is an associate professor of English at the University of South Florida, St. Petersburg. She is coeditor of Teaching the American Civil Rights Movement: Freedom's Bittersweet Song.