Renaissance Art: A Very Short Introduction

Johnson, Geraldine A.

ISBN 10: 0192803549 / ISBN 13: 9780192803542

Edité par Oxford University Press, 2005

A propos de cet article

All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May include "From the library of" labels. Shrink wrap, dust covers, or boxed set case may be missing. Item may be missing bundled media.

N° de réf. du vendeur MINV.0192803549.G

Détails bibliographiques

• Titre: Renaissance Art: A Very Short Introduction
• Éditeur: Oxford University Press
• Date de parution: 2005
• Langue: anglais
• ISBN à 10 chiffres: 0192803549
• ISBN à 13 chiffres: 9780192803542
• Reliure: Couverture souple
• État de l'article: good

A propos de ce titre

Synopsis

Botticelli, Holbein, Leonardo, Dürer, Michelangelo: the names are familiar, as are the works, such as the Last Supper fresco, or the monumental marble statue of David. But who were these artists, why did they produce such memorable images, and how would their original beholders have viewed these objects? Was the Renaissance only about great masters and masterpieces, or were "mistresses" also involved, such as women artists and patrons? And what about the 'minor'-pieces that Renaissance men and women would have encountered in homes, churches and civic spaces? This exciting and stimulating volume will answer such questions by considering both famous and lesser-known artists, patrons and works of art within the cultural and historical context of Renaissance Europe.

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À propos de l?auteur

Geraldine A. Johnson is University Lecturer in History of Art at the University of Oxford, and a fellow of Christ Church, Oxford. She received her Ph.D. from Harvard University. Her publications range from studies of Italian Renaissance art to considerations of contemporary American sculpture, and from women patrons in Early Modern Europe to the history of photography. Her work has appeared in important journals such as The Burlington Magazine, The Art Bulletin, Art History, and Renaissance Quarterly. In 1997, Cambridge University Press published a prize-winning essay collection she co-edited titled Picturing Women in Renaissance and Baroque Italy. The same press also published another volume she edited in 1998 titled Sculpture and Photography: Envisioning the Third Dimension. At present, she is completing a book on the tactile and visual reception of sculpture in Early Modern Italy.