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A critique of prominent architects' approach to digitally driven design and labor practices over the past two decades
With the advent of revolutionary digital design and production technologies, contemporary architects and their clients developed a taste for dramatic, unconventional forms. Seeking to amaze their audiences and promote their global brands, "starchitects" like Herzog & de Meuron and Frank Gehry have reaped substantial rewards through the pursuit of spectacle enabled by these new technologies. This process reached a climax in projects like Gehry's Guggenheim Bilbao and the "Bilbao effect," in which spectacular architectural designs became increasingly sought by municipal and institutional clients for their perceived capacity to enhance property values, which author Pedro Fiori Arantes calls the "rent of form."
Analyzing many major international architectural projects of the past twenty years, Arantes provides an in-depth account of how this "architecture of exception" has come to dominate today's industry. Articulating an original, compelling critique of the capital and labor practices that enable many contemporary projects, Arantes explains how circulation (via image culture), consumption (particularly through tourism), the division of labor, and the distribution of wealth came to fix a certain notion of starchitecture at the center of the industry.
Significantly, Arantes's viewpoint is not that of Euro-American capitalism. Writing from the Global South, this Brazilian theorist offers a fresh perspective that advances ideas less commonly circulated in dominant, English-language academic and popular discourse. Asking key questions about the prevailing logics of finance capital, and revealing inconvenient truths about the changing labor of design and the treatment of construction workers around the world, The Rent of Form delivers a much-needed reevaluation of the astonishing buildings that have increasingly come to define world cities.
À propos de l?auteur:
Pedro Fiori Arantes is an architect and urban planner, professor of art history, and Pro-Rector of Planning at the Federal University of São Paulo.
Adriana Kauffmann is a translator in São Paulo, Brazil.
Reinhold Martin is professor of architecture and director of the Temple Hoyne Buell Center for the Study of American Architecture at Columbia University. He is author of Utopia's Ghost: Architecture and Postmodernism, Again (Minnesota, 2010) and The Urban Apparatus: Mediapolitics and the City (Minnesota, 2016).
Titre : The Rent of Form: Architecture and Labor in ...
Éditeur : Univ Of Minnesota Press
Date d'édition : 2019
Reliure : paperback
Etat : Very Good
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Paperback. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized. N° de réf. du vendeur M0816699291Z2
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Vendeur : Montana Book Company, Fond du Lac, WI, Etats-Unis
Paperback. Etat : Very Good. 1st Edition. 305 pp. Tightly bound. Spine not Compromised. Text is free of markings. No ownership markings. N° de réf. du vendeur 087818
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Vendeur : Phatpocket Limited, Waltham Abbey, HERTS, Royaume-Uni
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 312 pages. 8.50x5.50x1.50 inches. In Stock. N° de réf. du vendeur __0816699291
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur FW-9780816699292
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