Revolt. She said. Revolt again (Student Editions). Cet article n’est pas disponible.Revolt. She said. Revolt again (Student Editions)

Through a series of arresting vignettes and a collection of nameless characters, Alice Birch examines the language, behaviour and forces that shape women in the 21st century. The play asks what's stopping us from doing something truly radical to change them? Written in response to the provocation that well-behaved women seldom make history, the play is an assault on the language that has fueled violence against women throughout history. Problematic language frequently attached to women is interrogated, from lazy sexist clichés to the conventions around a marriage proposal. Through doing so, the play rails against the conventions of work, sex, motherhood, aging and love. Revolt. She said. Revolt again was first performed at the 2014 Midsummer Mischief Festival in Stratford-upon-Avon. It transferred to the Royal Court Upstairs and was more recently produced at New York's Soho Rep. It is published here in a Student Edition alongside commentary and notes by Marissia Fragkou, who locates the play in our contemporary political and cultural context (including second- and third-wave feminism, and the #MeToo movement).

Alice Birch is a British playwright and screenwriter. Her previous work includes Peckham: The Soap Opera and Revolt. She Said. Revolt Again (RSC). Other credits include: We Want You To Watch (National), The Lone Pine Club (Pentabus), Little Light (Orange Tree), Little on the Inside (Almeida / Clean Break), Salt (Comedie de Valence), Many Moons (Theatre 503), Flying the Nest (BBC Radio 4) and Lady Macbeth (BBC Films / BFI / Creative England). Alice was the co-winner of the 2014 George Devine Award for Revolt. She said. Revolt Again and winner of the Arts Foundation Award for Playwriting 2014.

Marissia Fragkou is Assistant Professor of Theatre at the Aristotle University of Thessaloniki, Greece. Her essays on contemporary British and European theatre have been published in Modern Drama, Didaskalia, Performing Ethos, Contemporary Theatre Review and several edited volumes. She is the author of Ecologies of Precarity in Twenty-First Century Theatre: Politics, Affect, Responsibility (Methuen Drama, 2018).