Richard Wagner: My Life

Wagner, Richard; Whittall, Mary [Editor]; Gray, Andrew [Translator];

ISBN 10: 0521359007 / ISBN 13: 9780521359009

Edité par Cambridge University Press, 1987

A propos de cet article

Softcover. Very Good condition. Free of any markings and no writings inside. Clear Text. Minor shelf-wear. Remainder mark on top edge. For any additional information or pictures, please inquire.

N° de réf. du vendeur 230722015

Détails bibliographiques

• Titre: Richard Wagner: My Life
• Éditeur: Cambridge University Press
• Date de parution: 1987
• Langue: allemand
• ISBN à 10 chiffres: 0521359007
• ISBN à 13 chiffres: 9780521359009
• Reliure: paperback
• État de l'article: Very Good
• Poids: 41 onces

A propos de ce titre

Synopsis

This reprint is of the first English paperback edition of Richard Wagner's autobiography. This is a primary document of enormous importance for all Wagner enthusiasts, being virtually the sole source of information of the composer's childhood and youth. Written for Wagner's second wife, Cosima, and his patron, King Ludwig II, the autobiography runs from the composer's birth up to the eve of his fifty-first birthday in 1864. Given the intended readership and the circumstances of its composition it is hardly surprising that Wagner should either omit or distort facts from time to time: he does not linger over previous affairs, he portrays his relationship with his first wife, Minna, as a good deal more distant than it really was and he plays down his involvement in the Dresden uprising of 1849. Despite all this, the book presents a panoramic view of Wagner's times and contemporaries and offers a unique perspective on the operas themselves. This translation is of the complete edition published in Munich in 1963 and based on the manuscript in the Wagner Archives in Bayreuth. Wagner's slips of memory are noted, as are references to obscure names and events.

Biographie de l'auteur

Wilhelm Richard Wagner (22 May 1813 – 13 February 1883) was a German composer, theatre director, polemicist, and conductor who is primarily known for his operas (or, as some of his later works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Weber and Meyerbeer, Wagner revolutionised opera through his concept of the Gesamtkunstwerk ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama, and which was announced in a series of essays between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle "Der Ring des Nibelungen" (The Ring of the Nibelung). His compositions, particularly those of his later period, are notable for their complex textures, rich harmonies and orchestration, and the elaborate use of leitmotifs—musical phrases associated with individual characters, places, ideas or plot elements. His advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, greatly influenced the development of classical music. His "Tristan und Isolde" is sometimes described as marking the start of modern music.