Screening Shakespeare in the Twenty-First Century

Mark (Professor of Renaissance Studies Thornton Burnett

ISBN 10: 0748623515 / ISBN 13: 9780748623518

Edité par Edinburgh University Press Sep 2006, 2006

A propos de cet article

Neuware - This bold new collection surveys the rich field of Bardic film representations, from Michael Almereyda's Hamlet and the BBC 'Shakespea(Re)-Told' season to Michael Radford's The Merchant of Venice and Peter Babakitis' Henry V. The volume offers in-depth analyses of major and obscure productions, touching on advertisements, appropriations, postcolonial reinventions, and mass media citations, arguing that Shakespeare is a magnet for debate over style, literary authority, nationality, ethnicity, gender, and romance. Consideration the Derry Film Initiative Hamlet, the New Zealand The Maori Merchant of Venice, and the television documentary In Search of Shakespeare, this collection innovatively assesses the continuing relevance of Shakespeare in his many local and global screen incarnations.

N° de réf. du vendeur 9780748623518

Détails bibliographiques

• Titre: Screening Shakespeare in the Twenty-First Century
• Éditeur: Edinburgh University Press Sep 2006
• Date de parution: 2006
• Langue: anglais
• ISBN à 10 chiffres: 0748623515
• ISBN à 13 chiffres: 9780748623518
• Reliure: Taschenbuch
• État de l'article: Neu
• Dimensions: 302 L x 158 H x 2 P (en millimètres) 302 millimètres de largeur par 158 millimètres de hauteur par 2 millimètres de profondeur
• Poids: 344 grammes

A propos de ce titre

Synopsis

This bold new collection offers an innovative discussion of Shakespeare on screen after the millennium. Cutting-edge, and fully up-to-date, it surveys the rich field of Bardic film representations, from Michael Almereyda’s Hamlet to the BBC ‘Shakespea(Re)-Told’ season, from Michael Radford’s The Merchant of Venice to Peter Babakitis’ Henry V. In addition to offering in-depth analyses of all the major productions, Screening Shakespeare in the Twenty-First Century includes reflections upon the less well-known filmic ‘Shakespeares’, which encompass cinema advertisements, appropriations, post-colonial reinventions and mass media citations, and which move across and between genres and mediums. Arguing that Shakespeare is a magnet for negotiations about style, value and literary authority, the essays contend that screen reinterpretations of England’s most famous dramatist simultaneously address concerns centred upon nationality and ethnicity, gender and romance, and ‘McDonaldisation’ and the political process, thereby constituting an important intervention in the debates of the new century. As a result, through consideration of such offerings as the Derry Film Initiative Hamlet, the New Zealand The Maori Merchant of Venice and the television documentary In Search of Shakespeare, this collection is able to assess as never before the continuing relevance of Shakespeare in his local and global screen incarnations.Features* Only collection like it on the market, bringing the subject up to date.* Twenty-first century focus and international coverage.* Innovative discussion of a wide range of films and television.* Accessibly written for students and general readers.

À propos de l?auteur

Mark Thornton Burnett is Professor of Renaissance Studies at Queen's University, Belfast. He is the author of Masters and Servants in English Renaissance Drama and Culture: Authority and Obedience (Macmillan, 1997), Constructing ‘Monsters’ in Shakespearean Drama and Early Modern Culture (Palgrave, 2002) and Filming Shakespeare in the Global Marketplace (Palgrave, 2007).