Screening the Stage : Case Studies of Film Adaptations of Stage Plays and Musicals in the Classical Hollywood Era, 1914-1956

Steven Neale

ISBN 10: 0861967267 / ISBN 13: 9780861967261

Edité par Indiana University Press Okt 2017, 2017

A propos de cet article

Neuware - Introduced by a comprehensive account of the factors governing the adaptation of stage plays and musicals in Hollywood from the early 1910s to the mid-to-late 1950s, Screening the Stage consists of a series of chapter-length studies of feature-length films, the plays and musicals on which they were based, and their remakes where pertinent. Founded on an awareness of evolving technologies and industrial practices rather than the tenets of adaptation theory, particular attention is paid to the evolving practices of Hollywood as well as to the purport and structure of the plays and stage musicals on which the film versions were based. Each play or musical is contextualized and summarized in detail, and each film is analyzed so as to pinpoint the ways in which they articulate, modify, or rework the former. Examples range from dramas, comedies, melodramas, musicals, operettas, thrillers, westerns and war film, and include The Squaw Man, The Poor Little Rich Girl, The Merry Widow, 7th Heaven, The Cocoanuts, Waterloo Bridge, Stage Door, I Remember Mama, The Pirate, Dial M for Murder and Attack.

N° de réf. du vendeur 9780861967261

Détails bibliographiques

• Titre: Screening the Stage : Case Studies of Film Adaptations of Stage Plays and Musicals in the Classical Hollywood Era, 1914-1956
• Éditeur: Indiana University Press Okt 2017
• Date de parution: 2017
• Langue: anglais
• ISBN à 10 chiffres: 0861967267
• ISBN à 13 chiffres: 9780861967261
• Reliure: Taschenbuch
• État de l'article: Neu
• Dimensions: 234 L x 156 H x 16 P (en millimètres) 234 millimètres de largeur par 156 millimètres de hauteur par 16 millimètres de profondeur
• Poids: 577 grammes

A propos de ce titre

Synopsis

Introduced by a comprehensive account of the factors governing the adaptation of stage plays and musicals in Hollywood from the early 1910s to the mid-to-late 1950s, Screening the Stage consists of a series of chapter-length studies of feature-length films, the plays and musicals on which they were based, and their remakes where pertinent. Founded on an awareness of evolving technologies and industrial practices rather than the tenets of adaptation theory, particular attention is paid to the evolving practices of Hollywood as well as to the purport and structure of the plays and stage musicals on which the film versions were based. Each play or musical is contextualized and summarized in detail, and each film is analyzed so as to pinpoint the ways in which they articulate, modify, or rework the former. Examples range from dramas, comedies, melodramas, musicals, operettas, thrillers, westerns and war film, and include The Squaw Man, The Poor Little Rich Girl, The Merry Widow, 7th Heaven, The Cocoanuts, Waterloo Bridge, Stage Door, I Remember Mama, The Pirate, Dial M for Murder and Attack.

À propos de l?auteur

Steve Neale is Professor Emeritus of Film Studies at the University of Exeter. He is author of Genre and Hollywood, author (with Sheldon Hall) of Epics, Spectacles and Blockbusters: A Hollywood History, editor of The Classical Hollywood Reader, editor (with Frank Krutnik, Brian Neve and Peter Stanfield) of 'Un-American' Hollywood: Politics and Film in the Blacklist, and editor (with John Belton and Sheldon Hall) of Widescreen Worldwide.