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The author of this text explores notions of authenticity in German and American folklore studies from the 18th century to the present. She demonstrates how "authenticity" was used to foster national causes and uphold a belief in "cultural essence" against feelings of loss inherent in modernization. Num Pages: 320 pages. BIC Classification: 1DFG; 1KBB; 3JF; 3JH; 3JJ; JFCX; JFHF. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 153 x 230 x 23. Weight in Grams: 438. . 1997. Paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780299155445
Authenticity is a notion much debated, among discussants as diverse as cultural theorists and art dealers, music critics and tour operators. The desire to find and somehow capture or protect the 'authentic' narrative, art object, or ceremonial dance is hardly new. In this masterful examination of German and American folklore studies from the eighteenth century to the present, Regina Bendix demonstrates that the longing for authenticity remains deeply implicated in scholarly approaches to cultural analysis. Searches for authenticity, Bendix contends, have been a constant companion to the feelings of loss inherent in modernization, forever upholding a belief in a pristine yet endangered cultural essence and fueling cultural nationalism worldwide. Beginning with precursors of Herder and Emerson and the 'discovery' of the authentic in expressive culture and literature, she traces the different, albeit intertwined, histories of German Volkskunde and American folklore studies. A Swiss native educated in American folklore programs, Bendix moves effortlessly between the two traditions, demonstrating how the notion of authenticity was used not only to foster national causes, but also to lay the foundations for categories of documentation and analysis within the nascent field of folklore studies. Bendix shows that, in an increasingly transcultural world, where Zulu singers back up Paul Simon and where indigenous artists seek copyright for their traditional crafts, the politics of authenticity mingles with the forces of the market. Arguing against the dichotomies implied in the very idea of authenticity, she underscores the emptiness of efforts to distinguish between folklore and fakelore, between echt and ersatz.
À propos de l?auteur: Regina Bendix is assistant professor of folklore at the University of Pennsylvania. A native of Switzerland, she is the author of several books and many articles about European and American folklore and folklife, including Backstage Domains: Playing William Tell in Two Communities.
Titre : In Search of Authenticity: Formation of ...
Éditeur : University of Wisconsin Press
Date d'édition : 1997
Reliure : Couverture souple
Etat : New
Vendeur : HPB-Diamond, Dallas, TX, Etats-Unis
Paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_458988027
Quantité disponible : 1 disponible(s)
Vendeur : INDOO, Avenel, NJ, Etats-Unis
Etat : New. Brand New. N° de réf. du vendeur 9780299155445
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Vendeur : THE SAINT BOOKSTORE, Southport, Royaume-Uni
Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days. N° de réf. du vendeur B9780299155445
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 1st edition. 320 pages. 9.50x6.25x0.75 inches. In Stock. N° de réf. du vendeur 0299155447
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Vendeur : BennettBooksLtd, Los Angeles, CA, Etats-Unis
paperback. Etat : New. In shrink wrap. Looks like an interesting title! N° de réf. du vendeur Q-0299155447
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