Semi-Detached : The Aesthetics of Virtual Experience Since Dickens

John Plotz

ISBN 10: 0691259275 / ISBN 13: 9780691259277

Edité par Princeton University Press Feb 2024, 2024

A propos de cet article

Neuware - 'Semi-detachment--the state of simultaneous half-waking and half-dreaming--proves just the sort of big, loose idea that in the hands of a playful and curious reader like Plotz gives us fresh insight into the mind's uneven engagements with the real. This book offers a fascinating exploration of how the late realist novel reflects on that special kind of doubled (in)attention--and invites its readers to do so too.'--Elizabeth Helsinger, University of Chicago.

N° de réf. du vendeur 9780691259277

Détails bibliographiques

• Titre: Semi-Detached : The Aesthetics of Virtual Experience Since Dickens
• Éditeur: Princeton University Press Feb 2024
• Date de parution: 2024
• Langue: anglais
• ISBN à 10 chiffres: 0691259275
• ISBN à 13 chiffres: 9780691259277
• Reliure: Taschenbuch
• État de l'article: Neu
• Dimensions: 234 L x 156 H x 20 P (en millimètres) 234 millimètres de largeur par 156 millimètres de hauteur par 20 millimètres de profondeur
• Poids: 553 grammes

A propos de ce titre

Synopsis

A critical look at the aesthetic encounter with semi-detachment through literature and art

When you are half lost in a work of art, what happens to the half left behind? Semi-Detached delves into this state of being: what it means to be within and without our social and physical milieu, at once interacting and drifting away, and how it affects our ideas about aesthetics. The allure of many modern aesthetic experiences, this book argues, is that artworks trigger and provide ways to make sense of this oscillating, in-between place. John Plotz focuses on Victorian and early modernist writers and artists who understood their work as tapping into, amplifying, or giving shape to a suspended duality of experience.

The book begins with the decline of the romantic tale, the rise of realism, and John Stuart Mill's ideas about social interaction and subjective perception. Plotz examines Pre-Raphaelite paintings that take semi-detached states of attention as their subject and novels that treat provincial subjects as simultaneously peripheral and central. He discusses how realist writers such as Charles Dickens, George Eliot, and Henry James show how consciousness can be in more than one place at a time; how the work of William Morris demonstrates the shifting forms of semi-detachment in print and visual media; and how Willa Cather created a form of modernism that connected aesthetic dreaming and reality. Plotz concludes with a look at early cinema and the works of Buster Keaton, who found remarkable ways to portray semi-detachment on screen.

In a time of cyberdependency and virtual worlds, when it seems that attention to everyday reality is stretching thin, Semi-Detached takes a historical and critical look at the halfway-thereness that audiences have long comprehended and embraced in their aesthetic encounters.

À propos de l?auteur

John Plotz is professor of Victorian literature at Brandeis University. His books include The Crowd: British Literature and Public Politics, Portable Property: Victorian Culture on the Move (Princeton), and a young-adult novel, Time and the Tapestry: A William Morris Adventure. Plotz is the editor of the B-Sides series at Public Books.