Songbirds on the Literary Stage

Julia Effertz

ISBN 10: 3034307349 / ISBN 13: 9783034307345

Edité par Peter Lang, Peter Lang Sep 2015, 2015

A propos de cet article

Neuware -This interdisciplinary study, situated at the cross-section of music, literature and gender, examines the woman singer and her song as a literary motif in French and German prose fiction from the 1790s to the mid-nineteenth century. Through selected case studies, this diachronic history of motifs offers a fresh perspective on canonical singer archetypes, such as Goethe¿s child singer Mignon and Madame de Staël¿s ground-breaking artist Corinne. The volume also examines lesser known narratives by authors including Caroline Auguste Fischer, E.T.A. Hoffmann, Hector Berlioz and Marceline Desbordes-Valmore, some of which have not been considered critically in this regard before. This allows for a re-evaluation of the significance of the singer motif in musical narratives from the Romantic era to the July Monarchy. The sometimes polemic, often ambivalent, yet always nuanced and multi-layered reflection on the woman singer in literature bears testimony to the complexity of the nineteenth-century musical-literary discourse and its fluid negotiation of gender relations and female performance, fitting well with that ineffable, enigmatic essence of the woman singer herself who, as a literary motif and a cultural icon, continues to resonate and fascinate well beyond the nineteenth century.Books on Demand GmbH, Überseering 33, 22297 Hamburg 302 pp. Englisch.

N° de réf. du vendeur 9783034307345

Détails bibliographiques

• Titre: Songbirds on the Literary Stage
• Éditeur: Peter Lang, Peter Lang Sep 2015
• Date de parution: 2015
• Langue: anglais
• ISBN à 10 chiffres: 3034307349
• ISBN à 13 chiffres: 9783034307345
• Reliure: Taschenbuch
• État de l'article: Neu
• Dimensions: 225 L x 150 H x 17 P (en millimètres) 225 millimètres de largeur par 150 millimètres de hauteur par 17 millimètres de profondeur
• Poids: 427 grammes

A propos de ce titre

Synopsis

This interdisciplinary study, situated at the cross-section of music, literature and gender, examines the woman singer and her song as a literary motif in French and German prose fiction from the 1790s to the mid-nineteenth century. Through selected case studies, this diachronic history of motifs offers a fresh perspective on canonical singer archetypes, such as Goethe's child singer Mignon and Madame de Staël's ground-breaking artist Corinne. The volume also examines lesser known narratives by authors including Caroline Auguste Fischer, E.T.A. Hoffmann, Hector Berlioz and Marceline Desbordes-Valmore, some of which have not been considered critically in this regard before. This allows for a re-evaluation of the significance of the singer motif in musical narratives from the Romantic era to the July Monarchy. The sometimes polemic, often ambivalent, yet always nuanced and multi-layered reflection on the woman singer in literature bears testimony to the complexity of the nineteenth-century musical-literary discourse and its fluid negotiation of gender relations and female performance, fitting well with that ineffable, enigmatic essence of the woman singer herself who, as a literary motif and a cultural icon, continues to resonate and fascinate well beyond the nineteenth century.

À propos de l?auteur

Julia Effertz is a comparative literature scholar and an actress who specializes in women in the literature and culture of the nineteenth century from a comparatist perspective. Her work has appeared in the journals Cahiers Staëliens, Jahrbuch für internationale Germanistik and French Studies as well as in the collected volumes Staël's Philosophy of the Passions (2013), Musique et littérature : rencontres Sainte-Cécile (2011), Violence in French and Francophone Literature and Film (2008) and Paragraphes : parcours figuratifs et configurations discursives du roman africain (2006).