The Sound of Poetry/The Poetry of Sound

Marjorie Perloff

ISBN 10: 0226657434 / ISBN 13: 9780226657431

Edité par University Of Chicago Press Nov 2009, 2009

A propos de cet article

Neuware - Sound--one of the central elements of poetry--finds itself all but ignored in the current discourse on lyric forms. The essays collected here by Marjorie Perloff and Craig Dworkinbreak that critical silence to readdress some of thefundamental connections between poetry and sound--connections that go far beyond traditional metrical studies.

N° de réf. du vendeur 9780226657431

Détails bibliographiques

• Titre: The Sound of Poetry/The Poetry of Sound
• Éditeur: University Of Chicago Press Nov 2009
• Date de parution: 2009
• Langue: anglais
• ISBN à 10 chiffres: 0226657434
• ISBN à 13 chiffres: 9780226657431
• Reliure: Taschenbuch
• État de l'article: Neu
• Dimensions: 226 L x 151 H x 27 P (en millimètres) 226 millimètres de largeur par 151 millimètres de hauteur par 27 millimètres de profondeur
• Poids: 481 grammes

A propos de ce titre

Synopsis

Sound—one of the central elements of poetry—finds itself all but ignored in the current discourse on lyric forms. The essays collected here by Marjorie Perloff and Craig Dworkinbreak that critical silence to readdress some of thefundamental connections between poetry and sound—connections that go far beyond traditional metrical studies.

Ranging from medieval Latin lyrics to a cyborg opera, sixteenth-century France to twentieth-century Brazil, romantic ballads to the contemporary avant-garde, the contributors to The Sound of Poetry/The Poetry of Sound explore such subjects as the translatability of lyric sound, the historical and cultural roles of rhyme,the role of sound repetition in novelistic prose, theconnections between “sound poetry” and music, between the visual and the auditory, the role of the body in performance, and the impact of recording technologies on the lyric voice. Along the way, the essaystake on the “ensemble discords” of Maurice Scève’s Délie, Ezra Pound’s use of “Chinese whispers,” the alchemical theology of Hugo Ball’s Dada performances, Jean Cocteau’s modernist radiophonics, and an intercultural account of the poetry reading as a kind of dubbing.

A genuinely comparatist study, The Sound of Poetry/The Poetry of Sound is designed to challenge current preconceptions about what Susan Howe has called “articulations of sound forms in time” as they have transformed the expanded poetic field of the twenty-first century.

À propos des auteurs

Marjorie Perloff (1931-2024) was the Sadie Dernham Patek Professor of Humanities at Stanford University and the Florence R. Scott Professor of English Emerita at the University of Southern California. She is the author of many books, including Poetics in a New Key and Unoriginal Genius, also published by the University of Chicago Press.

Craig Dworkin teaches literary history and theory at the University of Utah. He is the author of Reading the Illegible, No Medium, Dictionary Poetics, and Radium of the Word: A Poetics of Materiality.