Sound Technology and the American Cinema : Perception, Representation, Modernity

James Lastra

ISBN 10: 0231115172 / ISBN 13: 9780231115179

Edité par Columbia University Press Jul 2000, 2000

A propos de cet article

Neuware - Representational technologies including photography, phonography, and the cinema have helped define modernity itself. Since the nineteenth century, these technologies have challenged our trust of sensory perception, given the ephemeral unprecedented parity with the eternal, and created profound temporal and spatial displacements. But current approaches to representational and cultural history often neglect to examine these technologies. James Lastra seeks to remedy this neglect.

N° de réf. du vendeur 9780231115179

Détails bibliographiques

• Titre: Sound Technology and the American Cinema : Perception, Representation, Modernity
• Éditeur: Columbia University Press Jul 2000
• Date de parution: 2000
• Langue: anglais
• ISBN à 10 chiffres: 0231115172
• ISBN à 13 chiffres: 9780231115179
• Reliure: Taschenbuch
• État de l'article: Neu
• Dimensions: 226 L x 153 H x 16 P (en millimètres) 226 millimètres de largeur par 153 millimètres de hauteur par 16 millimètres de profondeur
• Poids: 392 grammes

A propos de ce titre

Synopsis

Representational technologies including photography, phonography, and the cinema have helped define modernity itself. Since the nineteenth century, these technologies have challenged our trust of sensory perception, given the ephemeral unprecedented parity with the eternal, and created profound temporal and spatial displacements. But current approaches to representational and cultural history often neglect to examine these technologies. James Lastra seeks to remedy this neglect.

Lastra argues that we are nowhere better able to track the relations between capital, science, and cultural practice than in photography, phonography, and the cinema. In particular, he maps the development of sound recording from its emergence to its confrontation with and integration into the Hollywood film.

Reaching back into the late eighteenth century, to natural philosophy, stenography, automata, and human physiology, Lastra follows the shifting relationships between our senses, technology, and representation.

À propos de l?auteur

James Lastra is associate professor of English at the University of Chicago.