I Am Sparkling: N.V. Parekh and His Portrait Studio Clients: Mombasa, Kenya, 1940â "1980

Parekh, N.V.,Brielmaier, Isolde

ISBN 10: 8862087616 / ISBN 13: 9788862087612

Edité par Damiani, 2022

A propos de cet article

HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

N° de réf. du vendeur M8862087616Z3

Détails bibliographiques

• Titre: I Am Sparkling: N.V. Parekh and His Portrait Studio Clients: Mombasa, Kenya, 1940â "1980
• Éditeur: Damiani
• Date de parution: 2022
• Langue: anglais
• ISBN à 10 chiffres: 8862087616
• ISBN à 13 chiffres: 9788862087612
• Reliure: hardcover
• État de l'article: Good

A propos de ce titre

Synopsis

A previously unseen trove of Kenyan studio portraits, expressing a photographer’s vision and a city’s lively identity

When the Kenyan-born photographer N.V. Parekh opened his Mombasa portrait studio in 1942, the city was galvanized. People came to visit Parekh from all over East Africa to mark important events such as weddings, reunions, graduations and birthdays. By the 1960s, Mombasans of all ages and backgrounds were visiting the studio by themselves, or with their friends, spouses or lovers, to stage playful, even daring portraits that enabled them to express and reveal themselves uniquely. Depending on his client’s wishes, Parekh worked to create portraits that ranged in tone from formal and elegant to hip or sensual, strongly influencing a vibrant visual culture in Mombasa.
I Am Sparkling is the first ever overview of this historically significant photographer, his clientele and the temporal, geographical and cultural milieu in which he flourished. Rarely accessed until now, Parekh’s personal archive went out of circulation following his retirement to Britain in the late 1980s; it was acquired by the Italian poet and artist Sarenco in 2001. This volume draws on this photographic archive along with extensive interviews with Parekh’s diverse clientele, and is complemented by NYU professor Isolde Brielmaier's rich historical context and analysis with a particular focus on women as clients of studio photographers. The artist Wangechi Mutu contributes a preface.
N.V. Parekh (1923–2007) emigrated with his family from India to Mombasa, where he trained with local photographers in the 1930s before founding his own portrait studio in 1942.

À propos de l'auteur

Isolde Brielmaier is Deputy Director at the New Museum, Curator-at-Large at the International Center for Photography (ICP) in NYC, and Professor of Critical Studies in Tisch's Department of Photography, Imaging and Emerging Media at New York University. Other curatorial roles include six years as Executive Director and Curator of Arts, Culture & Community at Westfield World Trade Centre, and her current position as national advisor for Unbail-Rodamco-Westfield (URW), a role in which she advises on artist projects and installations, cultural events, and strategic and community partnerships across the organization. She is also Editor at Large at Air Mail, Graydon Carter’s new media venture. Her publishing record is extensive, consisting of peer-reviewed articles, book chapters, and dozens of catalogue essays. She recently edited and wrote an essay for the anthology, “Culture as Catalyst: Visual Culture & Social Issues” (Skidmore College/ Tang Museum Press, 2020), and is working on a co-edited volume of portraits and interviews with contemporary Black artists with Harvard's Henry Louis Gates Jr.