Sunday (Paperback)
Olivier Schrauwen
Vendu par CitiRetail, Stevenage, Royaume-Uni
Vendeur AbeBooks depuis 29 juin 2022
Neuf(s) - Couverture souple
Etat : new
Quantité disponible : 1 disponible(s)
Ajouter au panierVendu par CitiRetail, Stevenage, Royaume-Uni
Vendeur AbeBooks depuis 29 juin 2022
Etat : new
Quantité disponible : 1 disponible(s)
Ajouter au panierPaperback. Best Graphic Novels of 2024, The New York Times Best Graphic Novels of 2024, Washington Post Best Graphic Novels of 2024, The Guardian Sunday follows, over the course of one day, the stream of consciousness of a fictionalized version of the author's cousin, Thibault. On the day of his girlfriend's return from an extended trip, Thibault wakes up, does nothing, gets James Brown stuck in his head, drinks and smokes, grows paranoid about his relationship, struggles to compose text messages, and watches The Da Vinci Code, all the while avoiding anyone and everyone, descending deeper into his own thoughts and fears. Meanwhile, a former crush and another cousin of Thibault's plan a surprise birthday for him, sending the external and internal on a collision course. Schrauwen's brilliant comic timing and formal mastery transcends the quotidian nature of the plot. Through use of color, flashback and the dissonance between text and image, the ways in which Schrauwen layers a depiction of human consciousness as lines on paper are infused heavily with slapstick and white-knuckle tension and make for an exhilarating read and breathtaking use of the comics medium. Internationally acclaimed graphic novelist Olivier Schrauwen returns with a masterfully funny and profound day in the life narrative. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
N° de réf. du vendeur 9781683969679
Best Graphic Novels of 2024, Washington Post
Best Graphic Novels of 2024, The Guardian
Best Books of 2024, The New Yorker
Sunday follows, over the course of one day, the stream of consciousness of a fictionalized version of the author’s cousin, Thibault. On the day of his girlfriend’s return from an extended trip, Thibault wakes up, does nothing, gets James Brown stuck in his head, drinks and smokes, grows paranoid about his relationship, struggles to compose text messages, and watches The Da Vinci Code, all the while avoiding anyone and everyone, descending deeper into his own thoughts and fears. Meanwhile, a former crush and another cousin of Thibault’s plan a surprise birthday for him, sending the external and internal on a collision course.
Schrauwen’s brilliant comic timing and formal mastery transcends the quotidian nature of the plot. Through use of color, flashback and the dissonance between text and image, the ways in which Schrauwen layers a depiction of human consciousness as lines on paper are infused heavily with slapstick and white-knuckle tension and make for an exhilarating read and breathtaking use of the comics medium.
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