The Sweetness at the Bottom of the Pie
Langue : anglais
Edité par Anchor Canada, 2009
Série : Livre 1 sur 12 - Flavia de Luce
- Livre broché
- Occasion

Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-UnisWorld of Books (was SecondSale)
Vendeur AbeBooks depuis 20 décembre 2007
Etat: Occasion - Satisfaisant
EUR 3,68
Quantité disponible : 8 disponibles
Ajouter au panierA propos de cet article
WINER OF THE AGATHA - ARTHUR ELIS - DILYS - DEBUT DAGER AWARDS Wonderfully entertaining . . . sure to be one of the most loved mysteries of the year . . . Flavia is] a delightful, intrepid, acid-tongued new heroine.--Chicago Sun-TimesIt is the summer of 1950-and at the once-grand mansion of Buckshaw, young Flavia de Luce, an aspiring chemist with a passion for poison, is intrigued by a series of inexplicable events: A dead bird is found on the doorstep, a postage stamp bizarrely pinned to its beak. Then, hours later, Flavia finds a man lying in the cucumber patch and watches him as he takes his dying breath. For Flavia, who is both appalled and delighted, life begins in earnest when murder comes to Buckshaw. I wish I could say I was afraid, but I wasn't. Quite the contrary. This was by far the most interesting thing that had ever happened to me in my entire life. BONUS: This edition contains a The Sweetness at the Bottom of the Pie discussion guide and an excerpt from Alan Bradley's The Weed That Strings the Hangman's Bag.…
N° de réf. du vendeur 00094449035
- Titre
- The Sweetness at the Bottom of the Pie
- Auteur
- Bradley Alan
- Éditeur
- Anchor Canada
- Année de publication
- 2009
- État de l'article
- Good
- Reliure
- Paperback
- Langue
- anglais
- ISBN à 10 chiffres
- 0385665830
- ISBN à 13 chiffres
- 9780385665834
- Série
- Livre 1 sur 12: Flavia de Luce
Extrait
It was as black in the closet as old blood. They had shoved me in and locked the door. I breathed heavily through my nose, fighting desperately to remain calm. I tried counting to ten on every intake of breath, and to eight as I released each one slowly into the darkness. Luckily for me, they had pulled the gag so tightly into my open mouth that my nostrils were left unobstructed, and I was able to draw in one slow lungful after another of the stale, musty air.
I tried hooking my fingernails under the silk scarf that bound my hands behind me but, since I always bit them to the quick, there was nothing to catch. Jolly good luck then that I’d remembered to put my fingertips together, using them as ten firm little bases to press my palms apart as they had pulled the knots tight.
Now I rotated my wrists, squeezing them together until I felt a bit of slack, using my thumbs to work the silk down until the knots were between my palms — then between my fingers. If they had been bright enough to think of tying my thumbs together, I should never have escaped. What utter morons they were.
With my hands free at last, I made short work of the gag.
Now for the door. But first, to be sure they were not lying in wait for me, I squatted and peered out through the keyhole at the attic. Thank heavens they had taken the key away with them. There was no one in sight: save for its perpetual tangle of shadows, junk and sad bric-a-brac, the long attic was empty. The coast was clear.
Reaching above my head at the back of the closet, I unscrewed one of the wire coat-hooks from its mounting board. By sticking its curved wing into the keyhole and levering the other end, I was able to form an L-shaped hook, which I poked into the depths of the ancient lock. A bit of judicious fishing and fiddling yielded a gratifying click. It was almost too easy. The door swung open and I was free.
I skipped down the broad stone staircase into the hall, pausing at the door of the dining room just long enough to toss my pigtails back over my shoulders and into their regulation position.
Father still insisted on dinner being served as the clock struck the hour and eaten at the massive oak refectory table, just as it had been when mother was alive.
‘Ophelia and Daphne not down yet, Flavia?’ he asked peevishly, looking up from the latest issue of The British Philatelist, which lay open beside his meat and potatoes.
‘I haven’t seen them in ages,’ I said.
It was true. I hadn’t seen them — not since they had gagged and blindfolded me, then lugged me hogtied up the attic stairs and locked me in the closet.
Father glared at me over his spectacles for the statutory four seconds before he went back to mumbling over his sticky treasures.
I shot him a broad smile: a smile wide enough to present him with a good view of the wire braces that caged my teeth. Although they gave me the look of a dirigible with the skin off, Father always liked being reminded that he was getting his money’s worth. But this time he was too preoccupied to notice.
I hoisted the lid off the Spode vegetable dish and, from the depths of its hand-painted butterflies and raspberries, spooned out a generous helping of peas. Using my knife as a ruler and my fork as a prod, I marshalled the peas so that they formed meticulous rows and columns across my plate: rank upon rank of little green spheres, spaced with a precision that would have delighted the heart of the most exacting Swiss watchmaker. Then, beginning at the bottom left, I speared the first pea with my fork and ate it.
It was all Ophelia’s fault. She was, after all, seventeen, and therefore expected to possess at least a modicum of the maturity she should come into as an adult. That she should gang up with Daphne, who was thirteen, simply wasn’t fair. Their combined ages totalled thirty years. Thirty years! — against my eleven. It was not only unsporting, it was downright rotten. And it simply screamed out for revenge.
Next morning I was busy among the flasks and flagons of my chemical laboratory on the top floor of the east wing when Ophelia barged in without so much as a la-di-dah.
‘Where’s my pearl necklace?’
I shrugged. ‘I’m not the keeper of your trinkets.’
‘I know you took it. The Mint Imperials that were in my lingerie drawer are gone too, and I’ve observed that missing mints in this household seem always to wind up in the same grubby little mouth.’
I adjusted the flame on a spirit lamp that was heating a beaker of red liquid. ‘If you’re insinuating that my personal hygiene is not up to the same high standard as yours you can go suck my galoshes.’
‘Flavia!’
‘Well, you can. I’m sick and tired of being blamed for everything, Feely.’
But my righteous indignation was cut short as Ophelia peered short-sightedly into the ruby flask, which was just coming to the boil.
‘What’s that sticky mass in the bottom?’ Her long, manicured fingernail tapped at the glass.
‘It’s an experiment. Careful, Feely, it’s acid!’
Ophelia’s face went white. ‘Those are my pearls! They belonged to Mummy!’
Ophelia was the only one of Harriet’s daughters who referred to her as ‘Mummy’; the only one of us old enough to have any real memories of the flesh-and-blood woman who had carried us in her body, a fact that Ophelia never tired of reminding us. Harriet had been killed in a mountaineering accident when I was just a year old, and she was not often spoken of at Buckshaw.
Was I jealous of Ophelia’s memories? Did I resent them? I don’t believe I did; it ran far deeper than that. In rather an odd way, I despised Ophelia’s memories of our mother.
I looked up slowly from my work so that the round lenses of my spectacles would flash blank white semaphores of light at her. I knew that whenever I did this, Ophelia had the horrid impression that she was in the presence of some mad black-and-white German scientist in a film at the Gaumont.
‘Beast!’
‘Hag!’ I retorted. But not until Ophelia had spun round on her heel — quite neatly, I thought — and stormed out the door.
Retribution was not long in coming, but then with Ophelia, it never was. Ophelia was not, as I was, a long-range planner who believed in letting the soup of revenge simmer to perfection.
From the Hardcover edition.
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