TELEVISION IN BLACK-AND-WHITE AMERICA Format: HC - HARDCOVER

ALAN NADEL

ISBN 10: 0700613986 / ISBN 13: 9780700613984

Edité par Syracus University Press, 2005

A propos de cet article

Brand New.

N° de réf. du vendeur 9780700613984

Détails bibliographiques

• Titre: TELEVISION IN BLACK-AND-WHITE AMERICA Format: HC - HARDCOVER
• Éditeur: Syracus University Press
• Date de parution: 2005
• Langue: anglais
• ISBN à 10 chiffres: 0700613986
• ISBN à 13 chiffres: 9780700613984
• Reliure: Couverture rigide
• État de l'article: New

A propos de ce titre

Synopsis

Alan Nadel's provocative new book reminds us that most of the images on early TV were decidedly Caucasian and directed at predominantly white audiences. Television did not invent whiteness for America, but it did reinforce it as the norm--particularly during the Cold War years. Nadel now shows just how instrumental it was in constructing a narrow, conservative, and very white vision of America.

Nadel depicts a time when television effectively hijacked and monopolized the nation's vision of itself to create a virtual but severely distorted civic space. On Cold War TV's three channels there were no double beds, no liberated housewives, no social criticism, and no homosexuality. And the few available black faces overwhelmingly belonged to athletes, musical entertainers, and actors playing menial roles. Even America's beloved Walt Disney promoted his highly popular TV and theme-park versions of society as utterly homogeneous representations of reality.

During this era, prime-time TV was dominated by "adult westerns," with heroes like The Rebel's Johnny Yuma reincarnating southern values and Bonanza's Cartwright family reinforcing the notion of white patriarchy--programs that, Nadel shows, bristled with Cold War messages even as they spoke to the nation's mythology. America had become visually reconfigured as a vast Ponderosa, crisscrossed by concrete highways designed to carry suburban white drivers beyond the moral challenge of racism and racial poverty and increasingly vocal civil rights demands.

Television in Black-and-White America revisits a time and space that some might miss for its simplicity and relative innocence. Nadel, however, entreats us to look beyond such nostalgia to see how, even in its earliest days, television had already become a powerful mediator of social norms that both controlled and warped our sense of reality.

À propos de l'auteur

Alan Nadel is professor of literature and film at Rensselaer Polytechnic Institute and author of Invisible Criticism: Ralph Ellison and the American Canon; Containment Culture: American Narratives, Postmodernism, and the Atomic Age; and Flatlining on the Field of Dreams: Cultural Narratives in the Films of President Reagan's America.