The Textual Sublime: Deconstruction and Its Differences (Contemporary Studies in Philosophy and Literature 1)

Hugh J. Silverman [Editor]; Gary E. Aylesworth [Editor];

ISBN 10: 0791400743 / ISBN 13: 9780791400746

Edité par State University of New York Press, 1990

A propos de cet article

[From the library of noted scholar Richard A. Macksey.] Hardcover. No dust jacket, as issued. Good binding and cover. Minor shelf wear. Corner bumped. Clean, unmarked pages. xix, 274 pages, 24 cm. The Textual Sublime is particularly concerned with how a text (philosophical or literary) sets its own limits, borders, and margins, how it delimits what constitutes the text per se and how it invokes at the same time what is not determinately in the text. The textual sublime is that aspect of a text that deconstruction shows to be both an element of the text and what surpasses the text, what takes it outside itself (in view of alternatives and alterities) and what ties it to differing philosophical, rhetorical, historical, and critical practices. "Richard A. Macksey was a celebrated Johns Hopkins University professor whose affiliation with the university spanned six and a half decades. A legendary figure not only in his own fields of critical theory, comparative literature, and film studies but across all the humanities, Macksey possessed enormous intellectual capacity and a deeply insightful human nature. He was a man who read and wrote in six languages, was instrumental in launching a new era in structuralist thought in America, maintained a personal library containing a staggering collection of books and manuscripts, inspired generations of students to follow him to the thorniest heights of the human intellect, and penned or edited dozens of volumes of scholarly works, fiction, poetry, and translation." - Johns Hopkins University.

N° de réf. du vendeur 2101150028

Détails bibliographiques

• Titre: The Textual Sublime: Deconstruction and Its Differences (Contemporary Studies in Philosophy and Literature 1)
• Éditeur: State University of New York Press
• Date de parution: 1990
• Langue: anglais
• ISBN à 10 chiffres: 0791400743
• ISBN à 13 chiffres: 9780791400746
• Reliure: Hardcover
• État de l'article: As New
• Catalogues du vendeur:
  • Philosophy

A propos de ce titre

Synopsis

This book addresses the question of deconstruction by asking what it is and discussing its alternatives. To what extent does deconstruction derive from a philosophical stance, and to what extent does it depend upon a set of strategies, moves, and rhetorical practices that result in criticism? Special attention is given to the formulations offered by Jacques Derrida (in relation to Heidegger's philosophy) and by Paul de Man (in relation to Kant's theory of the sublime and its implications for criticism). And what, in deconstructive terms, does it mean to translate from one textual corpus into another? Is it a matter of different theories of translation or of different practices? And what of difference itself? Does not difference already invoke the possibility of deconstruction's "others"? Althusser, Adorno, and Deleuze are offered as exemplary cases. The essays in this volume examine in detail these differences and alternatives.

The Textual Sublime is particularly concerned with how a text (philosophical or literary) sets its own limits, borders, and margins, how it delimits what constitutes the text per se and how it invokes at the same time what is not determinately in the text. The textual sublime is that aspect of a text that deconstruction shows to be both an element of the text and what surpasses the text, what takes it outside itself (in view of alternatives and alterities) and what ties it to differing philosophical, rhetorical, historical, and critical practices.

À propos de l?auteur

Hugh J. Silverman is Professor of Philosophy and Comparative Literature at the State University of New York at Stony Brook. He is the coeditor of Descriptions; Hermeneutics and Deconstruction; Critical and Dialectical Phenomenology; Postmodernism and Continental Philosophy; and The Textual Sublime: Deconstruction and Its Differences, all published by SUNY Press.