Traditions in World Cinema

ISBN 10: 0748618635 / ISBN 13: 9780748618637

Edité par Edinburgh University Press, 2005

A propos de cet article

Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

N° de réf. du vendeur 9145028-6

Détails bibliographiques

• Titre: Traditions in World Cinema
• Éditeur: Edinburgh University Press
• Date de parution: 2005
• Langue: anglais
• ISBN à 10 chiffres: 0748618635
• ISBN à 13 chiffres: 9780748618637
• Reliure: Couverture souple
• État de l'article: Very Good
• Poids: 0,961 livre

A propos de ce titre

Synopsis

The core volume in the series introduces a wide range of world cinematic movements. The core volume in the Traditions in World Cinema series, this book brings together a colourful and wide ranging collection of world cinematic traditions - national, regional and global - all of which are in need of introduction, investigation and, in some cases, critical reassessment. The movements described and analyzed include: German expressionism, Italian neorealism, French New Wave, British New Wave, Czech New Wave, Danish Dogma, post-Communist cinema, Brazilian post-Cinema Novo, new Argentine cinema, pre-revolutionary African traditions, Israeli persecution films, new Iranian cinema, Hindi film songs, Chinese wenyi pian melodrama, Japanese horror, new Hollywood cinema and global found footage cinema.

À propos des auteurs

Linda Badley is Professor of English and Film Studies at Middle Tennessee State University. She is the author of Film, Horror, and the Body Fantastic (1995), Writing Horror and the Body (1996), and Lars von Trier (2010), and the co-editor of Traditions in World Cinema (2006). With R. Barton Palmer, she co-edits Traditions in World Cinema and Traditions in American Cinema, companion series at Edinburgh University Press.

R. Barton Palmer is Calhoun Lemon Professor of Literature Emeritus at Clemson University. He is the author, editor, or general editor of many books including Hollywood's Dark Cinema: The American Film Noir (1994), After Hitchcock: Influence, Imitation, and Intertextuality (2006), and A Little Solitaire: John Frankenheimer and American Film (2011). He is the series editor for EUP's traditions in World Cinema, Traditions in American Cinema and International Film Stars series, and he is co-editor of five recent EUP books: Michael Mann, George Cukor, Film Noir, International Noir and The Other Hollywood Renaissance.

Steven Jay Schneider is an Adjunct Lecturer in the Department of Media Culture at the City University of New York.