Two items. (1) "The Digital Computer as a Musical Instrument" and (2) C. Roads, "Interview with Max Mathews" in "Science" and "Computer Music Journal". ** A Visionary Work**

Edité par Science AND Computer Music Journal. **Visionary Piece of Writing 'There are no theoretical limits' to the Computer in Music**, 1963

Image de l’article 1 de 4

Vendeur : JF Ptak Science Books, Hendersonville, NC, Etats-UnisJF Ptak Science Books

Vendeur avec une évaluation de 4 étoiles

Vendeur AbeBooks depuis 28 juin 2016

Livre broché

Etat: Occasion - Très bon

EUR 1 379,22

EUR 5,36 expédition 
Expédition nationale : Etats-Unis

Quantité disponible : 1 disponible

Ajouter au panier
Retours gratuits sous 30 jours

A propos de cet article

MATHEWS, Max V. Two items. (1) "The Digital Computer as a Musical Instrument" in Science, vol 142 no. 3592, 1 November 1963 in the issue of pp of (ii), 545-624 with the Mathews on pp 553-557. This is the full issue extracted from a larger bound volume with the spine finely restored professionally with a slick paper backing. VG/Fine copy. (2) C. Roads, "Interview with Max Mathews", in Computer Music Journal, vol 4 no. 4, Winter 1980, published by the MIT press. 95p, with the Mathews interview on pp 15-22. Original wrappers. Slick paper. FINE copy. This issue comes with a **flexidisk** recording laid in: Paul Lansky, "Two Fantasies on a Poem by Thomas Campion" (1980) on side one. Side two: "Examples of digital sound synthesis techniques by James Dashow", and with "Opening section of Prisms by Stanley Haynes". 7"x 7". Black acetate (?) Very Fine. [++] Both are laid into a new and very fine four-fold case with leather joints. Lovely. "The rapid evolution of [Mathews] work inspired [him] to publish a visionary 1963 Science Magazine piece [offered here] confidently predicting the computer would soon emerge as the ultimate musical instrument. 'There are no theoretical limits', he wrote, 'to the performance of the computer as a source of musical sounds." And: "Two further major 1950s developments were the origins of digital sound synthesis by computer, and of algorithmic composition programs beyond rote playback. Max Mathews at Bell Laboratories developed the influential MUSIC I program and its descendants, further popularising computer music through a 1963 article in Science [the paper offered here]. --Bogdanov, Vladimir, "All Music Guide to Electronica: The Definitive Guide to Electronic Music", 1980, Backbeat Books. p. 321. "Max Vernon Mathews (1926-2011) was a pioneer of computer music, He studied electrical engineering at the California Institute of Technology and the Massachusetts Institute of Technology, receiving a Sc.D. in 1954. Working at Bell Labs, Mathews wrote MUSIC, the first widely used program for sound generation, in 1957. For the rest of the century, he continued as a leader in digital audio research, synthesis, and human-computer interaction as it pertains to music performance. In 1968, Mathews and L. Rosler developed Graphic 1, an interactive graphical sound system on which one could draw figures using a light-pen that would be converted into sound, simplifying the process of composing computer generated music. Also in 1970, Mathews and F. R. Moore developed the GROOVE (Generated Real-time Output Operations on Voltage-controlled Equipment) system, a first fully developed music synthesis system for interactive composition and realtime performance."--Wikipedia n Max Mathews. [++] "[Mathews] published another detailed paper, "The Digital Computer as a Musical Instrument" in Science, November 1, 1963. These papers created a widespread interest in the generation of waveforms by digital computers, for musical or research purposes." John R. Pierce quoted in "Technology, Musical Perception, and the Composer". --"Technology and Perception," by J. Timothy Kolosick.…

N° de réf. du vendeur ABE-1627654032579

Détails bibliographiques

Titre
Two items. (1) "The Digital Computer as a Musical Instrument" and (2) C. Roads, "Interview with Max Mathews" in "Science" and "Computer Music Journal". ** A Visionary Work**
Auteur
MATHEWS, M(ax) V. **On the Limitless Potential of the Computer in Music**
Éditeur
Science AND Computer Music Journal. **Visionary Piece of Writing 'There are no theoretical limits' to the Computer in Music**
Année de publication
1963
État de l'article
Fine
Reliure
Soft cover
Poids de l'article
3 livres
Catalogues du vendeur
Computing History

JF Ptak Science Books

Hendersonville, NC, Etats-Unis

Vendeur avec une évaluation de 4 étoiles

Vendeur AbeBooks depuis 28 juin 2016

Frais d'expédition à l'intérieur de ce pays : Etats-Unis

Article5 à 14 jours ouvrés3 à 6 jours ouvrés
Premier articleEUR 5,36EUR 12,05
Les délais de livraison sont fixés par les vendeurs et varient en fonction du transporteur et du lieu. Les commandes transitant par les douanes peuvent être retardées et les acheteurs sont responsables de tous les droits ou frais associés. Les vendeurs peuvent vous contacter au sujet de frais supplémentaires afin de couvrir toute augmentation des coûts d'expédition de vos articles.

Modes de paiement

  • Visa
  • Mastercard
  • American Express
  • Carte Bleue
  • Apple Pay
  • Google Pay
  • Facture
  • Paypal

Description de la boutique

We have been in business since 1985--including a store in Georgetown, D.C. from 1985-2002--specializing in significant and hard-to-find works in modern (say, after 1850) physics, math, astronomy, and technology, and other bits and bobs. Shipping notice for overseas parcels: customs, VAT, and all other shipping fees and add-ons are the responsibility of the buyer.

Spécialité

Science

Profil professionnel du vendeur

JF Ptak Science Books

NC, Etats-Unis