An exploration of Stanley Kubrick's 2001: A Space Odyssey that combines 'new' empirical approaches with 'old' formalist approaches. This provides a broader understanding of how Kubrick's methods as a director and auteur were developed to produce a unique aesthetic creation that is still years ahead in its design, vision and philosophical structure.

� propos de l?auteur:

James Fenwick is a senior lecturer in media and communications at Sheffield Hallam University in England.

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Articles li�s � Understanding Kubrick's 2001: A Space Odyssey: Representatio...

Understanding Kubrick's 2001: A Space Odyssey: Representation and Interpretation

James Fenwick

Neuf(s) - Couverture rigide

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