Urban Crime Control in Cinema: Fallen Guardians and the Ideology of Repression (Palgrave Studies in Crime, Media and Culture). Cet article n’est pas disponible.
Langue : anglais
Edité par Palgrave Macmillan, 2024
- Livre broché
- Neuf

Vendeur : Ria Christie Collections, Uxbridge, Royaume-UniRia Christie Collections
Vendeur AbeBooks depuis 25 mars 2015
Etat: Neuf
EUR 145,25
A propos de cet article
In English.
N° de réf. du vendeur ria9783031129803_new
- Titre
- Urban Crime Control in Cinema: Fallen Guardians and the Ideology of Repression (Palgrave Studies in Crime, Media and Culture)
- Auteur
- Rizov, Vladimir
- Éditeur
- Palgrave Macmillan
- Année de publication
- 2024
- État de l'article
- New
- Reliure
- Couverture souple
- Langue
- anglais
- ISBN à 10 chiffres
- 3031129806
- ISBN à 13 chiffres
- 9783031129803
- Poids de l'article
- 410 grammes
This book uses popular films to understand the convergence of crime control and the ideology of repression in contemporary capitalism. It focuses on the cinematic figure of the fallen guardian, a protagonist who, in the course of a narrative, falls from grace and becomes an enemy of the established social order. The fallen guardian is a figure that allows for the analysis of a particular crime control measure through the perspective of both an enforcer and a target. The very notion of ‘justice’ is challenged, and questions are posed in relation to the role that films assume in the reproduction of policing as it is. In doing so, the book combines a historical far-reaching perspective with popular culture analysis. At the core remains the value of the cinematic figure of the fallen guardian for contemporary understandings of urban space and urban crime control and how films are clear examples of the ways in which the ideology of repression is reproduced.
This book questions thejustifications that are often given for social control in cities and understands cinema as a medium for offering critique of such processes and justifications. Explored are the crime control measures of private policing in relation to RoboCop (1987), preventative policing and Minority Report (2002), mass incarceration in The Dark Knight Rises (2012), and extra-judicial killing in Blade Runner 2049 (2017). The book speaks to those interested in crime control in critical criminology, cultural criminology, urban studies, and beyond.
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