Utopia in Performance: Finding Hope at the Theater

Dolan, Jill

ISBN 10: 0472069071 / ISBN 13: 9780472069071

Edité par University of Michigan Press, 2005

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Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes). N° de réf. du vendeur 000773842U

Détails bibliographiques

Titre : Utopia in Performance: Finding Hope at the ...

Éditeur : University of Michigan Press

Date d'édition : 2005

Reliure : paperback

Etat : Good

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Synopsis :

"Jill Dolan is the theatre's most astute critic, and this new book is perhaps her most important. Utopia in Performance argues with eloquence and insight how theatre makes a difference, and in the process demonstrates that scholarship matters, too. It is a book that readers will cherish and hold close as a personal favorite, and that scholars will cite for years to come."
---David Román, University of Southern California

What is it about performance that draws people to sit and listen attentively in a theater, hoping to be moved and provoked, challenged and comforted? In Utopia in Performance, Jill Dolan traces the sense of visceral, emotional, and social connection that we experience at such times, connections that allow us to feel for a moment not what a better world might look like, but what it might feel like, and how that hopeful utopic sentiment might become motivation for social change.

She traces these "utopian performatives" in a range of performances, including the solo performances of feminist artists Holly Hughes, Deb Margolin, and Peggy Shaw; multicharacter solo performances by Lily Tomlin, Danny Hoch, and Anna Deavere Smith; the slam poetry event Def Poetry Jam; The Laramie Project; Blanket, a performance by postmodern choreographer Ann Carlson; Metamorphoses by Mary Zimmerman; and Deborah Warner's production of Medea starring Fiona Shaw. While the book richly captures moments of "feeling utopia" found within specific performances, it also celebrates the broad potential that performance has to provide a forum for being human together; for feeling love, hope, and commonality in particular and historical (rather than universal and transcendent) ways.

À propos de l?auteur:

Scholar, critic, and theorist Jill Dolanis Zachary T. Scott Family Chair in Drama at the University of Texas, Austin. She is author of The Feminist Spectator as Critic; Presence and Desire: Essays on Gender, Sexuality, and Performance; and Geographies of Learning: Theory and Practice, Activism and Performance.