Visual Culture, Heritage and Identity: Using Rock Art to Reconnect Past and Present

Andrzej Rozwadowski

ISBN 10: 1789698464 / ISBN 13: 9781789698466

Edité par Archaeopress Jun 2021, 2021

A propos de cet article

Neuware - Visual Culture, Heritage and Identity: Using Rock Art to Reconnect Past and Present sets out a fresh perspective on rock art by considering how ancient images function in the present. In recent decades, archaeological approaches to rock paintings and engravings have significantly advanced our understanding of rock art in regional and global terms. On the other hand, however, little research has been done on contemporary uses of rock art. How does ancient rock art heritage influence contemporary cultural phenomena And how do past images function in the present, especially in contemporary art and other media In the past, archaeologists usually concentrated more on reconstructing the semantic and social contexts of the ancient images. This volume, on the other hand, focuses on how this ancient heritage is recognised and reified in the modern world, and how this art stimulates contemporary processes of cultural identity-making. The authors, who are based all over the world, off er attractive and compelling case studies situated in diverse cultural and geographical contexts.

N° de réf. du vendeur 9781789698466

Détails bibliographiques

• Titre: Visual Culture, Heritage and Identity: Using Rock Art to Reconnect Past and Present
• Éditeur: Archaeopress Jun 2021
• Date de parution: 2021
• Langue: anglais
• ISBN à 10 chiffres: 1789698464
• ISBN à 13 chiffres: 9781789698466
• Reliure: Taschenbuch
• État de l'article: Neu
• Dimensions: 291 L x 205 H x 13 P (en millimètres) 291 millimètres de largeur par 205 millimètres de hauteur par 13 millimètres de profondeur
• Poids: 562 grammes

A propos de ce titre

Synopsis

'Visual Culture, Heritage and Identity: Using Rock Art to Reconnect Past and Present' sets out a fresh perspective on rock art by considering how ancient images function in the present. In recent decades, archaeological approaches to rock paintings and engravings have significantly advanced our understanding of rock art in regional and global terms. On the other hand, however, little research has been done on contemporary uses of rock art. How does ancient rock art heritage influence contemporary cultural phenomena? And how do past images function in the present, especially in contemporary art and other media? In the past, archaeologists usually concentrated more on reconstructing the semantic and social contexts of the ancient images. This volume, on the other hand, focuses on how this ancient heritage is recognised and reified in the modern world, and how this art stimulates contemporary processes of cultural identity\-making. The authors, who are based all over the world, off er attractive and compelling case studies situated in diverse cultural and geographical contexts.

À propos de l?auteur

Andrzej Rozwadowski is Associate Professor at the Adam Mickiewicz University in Poznan, Poland, where he also completed his PhD. He is also an honorary Research Fellow of the Rock Art Research Institute of Wits in Johannesburg and has been involved in rock art research since the 1990s. ; Jamie Hampson is a Senior Lecturer in the Humanities Department at the University of Exeter. He has a PhD and MPhil in archaeology from the University of Cambridge. He has written more than forty articles on Indigenous rock art and heritage.; Andrzej Rozwadowski is Associate Professor at the Adam Mickiewicz University in Poznan, Poland, where he also completed his PhD. He is also an honorary Research Fellow of the Rock Art Research Institute of Wits in Johannesburg and has been involved in rock art research since the 1990s. His recent contributions include chapters in A Companion to Rock Art (2012), and The Oxford Handbook of the Archaeology and Anthropology of Rock Art (2017).; Jamie Hampson is a Senior Lecturer in the Humanities Department at the University of Exeter. He has a PhD and MPhil in archaeology from the University of Cambridge. Prior to Exeter, he held positions at the University of Western Australia and the University of the Witwatersrand (Johannesburg). He has written more than forty articles on Indigenous rock art and heritage. His most recent book is Rock Art and Regional Identity: a Comparative Perspective (2016).