What Makes Sound Patterns Expressive?

Reuven Tsur

ISBN 10: 0822311704 / ISBN 13: 9780822311706

Edité par Duke University Press, 1992

A propos de cet article

Poets, academics, and those who simply speak a language are subject to mysterious intuitions about the perceptual qualities and emotional symbolism of the sounds of speech. This title investigates the expressive effect of sound patterns, addressing questions of concern for literary theorists and critics as well as for linguists and psychologists. Series: Sound & Meaning; the Roman Jakobson Series in Linguistics and Poetics. Num Pages: 188 pages, Illustrations. BIC Classification: CFH. Category: (P) Professional & Vocational. Dimension: 229 x 149 x 16. Weight in Grams: 284. . 1992. Paperback. . . . . Books ship from the US and Ireland.

N° de réf. du vendeur V9780822311706

Détails bibliographiques

• Titre: What Makes Sound Patterns Expressive?
• Éditeur: Duke University Press
• Date de parution: 1992
• Langue: anglais
• ISBN à 10 chiffres: 0822311704
• ISBN à 13 chiffres: 9780822311706
• Reliure: Couverture souple
• État de l'article: New

A propos de ce titre

Synopsis

Poets, academics, and those who simply speak a language are subject to mysterious intuitions about the perceptual qualities and emotional symbolism of the sounds of speech. Such intuitions are Reuven Tsur's point of departure in this investigation into the expressive effect of sound patterns, addressing questions of great concern for literary theorists and critics as well as for linguists and psychologists.
Research in recent decades has established two distinct types of aural perception: a nonspeech mode, in which the acoustic signals are received in the manner of musical sounds or natural noises; and a speech mode, in which acoustic signals are excluded from awareness and only an abstract phonetic category is perceived. Here, Tsur proposes a third type of speech perception, a poetic mode in which some part of the acoustic signal becomes accessible, however faintly, to consciousness.
Using Roman Jakobson's model of childhood acquisition of the phonological system, Tsur shows how the nonreferential babbling sounds made by infants form a basis for aesthetic valuation of language. He tests the intersubjective and intercultural validity of various spatial and tactile metaphors for certain sounds. Illustrating his insights with reference to particular literary texts, Tsur considers the relative merits of cognitive and psychoanalytic approaches to the emotional symbolism of speech sounds.