Eric Rucker Eddison, (1882 –1945) was an English civil servant and author, writing under the name E. R. Eddison. Biography: Born in Adel, Leeds, Eddison's early education came from a series of private tutors, whom he shared with the young Arthur Ransome. Ransome recalls Eddison's daring and machiavellian methods of getting rid of unpopular teachers in his autobiography. Afterwards Eddison was educated at Eton and Trinity College, Oxford and joined the Board of Trade in 1906, retiring in 1938 to work full-time on his fiction. He was also a member of the Viking Society for Northern Research. During a distinguished career he was appointed a Companion of the Order of St. Michael and St. George in 1924 and a Companion of the Order of the Bath in 1929 for public service with the Board of Trade. He and his wife had one child, a daughter. Their son-in-law, Kenneth Hesketh Higson, a Royal Air Force pilot, died in an air fight over Italy in the Second World War. Writing: Eddison is best known for the early romance The Worm Ouroboros (1922) and for three volumes set in the imaginary world Zimiamvia, known as the Zimiamvian Trilogy: Mistress of Mistresses (1935), A Fish Dinner in Memison (1941), and The Mezentian Gate (1958). These early works of high fantasy drew strong praise from J. R. R. Tolkien, C. S. Lewis, (alongside whom he was considered an occasional member of the Inklings) and later, Ursula K. Le Guin. Tolkien generally approved Eddison's literary style, but found the underlying philosophy rebarbative; while Eddison in turn thought Tolkien's views "soft". Other admirers of Eddison's work included James Stephens, who wrote the introduction to the 1922 edition; James Branch Cabell, who provided a foreword for the 1926 American edition; Robert Silverberg, who described The Worm Ouroboros as "the greatest high fan-tasy of them all"; and Clive Barker. Eddison's books are written in a meticulously recreated Jacobean prose style, seeded throughout with fragments, Shakespeare and Webster,Norse sagas and French medieval lyric poems. Critic Andy Sawyer has noted that such fragments seem to arise naturally from the "barbarically sophisticated" worlds Eddison has created. The books exhibit a thoroughly aristocratic sensibility; heroes and villains alike maintain an Olympian indifference to convention. Fellow fantasy author Michael Moorcock wrote that Eddison's characters, particularly his villains, are more vivid than Tolkien's..
« A propos de ce titre » peut appartenir à une autre édition de cet ouvrage.
