Writing on the wall. Word and image in modern art.

Morley, Simon:

ISBN 10: 0520241533 / ISBN 13: 9780520241534

Edité par Berkeley. Los Angeles. University of California. ., 2003

A propos de cet article

224 S. Kartoniert. 4°. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: eng.

N° de réf. du vendeur KUN62599

Détails bibliographiques

• Titre: Writing on the wall. Word and image in modern art.
• Éditeur: Berkeley. Los Angeles. University of California. .
• Date de parution: 2003
• ISBN à 10 chiffres: 0520241533
• ISBN à 13 chiffres: 9780520241534
• Reliure: Couverture souple
• Poids: 1100 grammes
• Catalogues du vendeur:
  • Kunst

A propos de ce titre

Synopsis

From the cut-up Cubist collages of Picasso to the monumental filmic narratives of Fiona Banner, and from the schoolboy subversion of Magritte to the demotic scrawl of Cy Twombly, the use of words is one of the defining features of modern art. Indeed, with many contemporary works, only those without text are remarkable. Exploring the strange, unsettling, and often humorous results when words escape their traditional confines and inhabit artworks, this book is the first sustained consideration of the manifold infiltrations of the written word into the visual arts from the nineteenth century to the present day. Simon Morley traces the growing bond between word and image, explaining how artists have harnessed the resulting tension to form identities, challenge authority, and make sense of a world in constant change. "Writing on the Wall" discusses familiar movements from the Impressionists to the present day, focusing on many works of modern art such as Dada nonsense words, Surrealist painting-poems, Constructivist typographies, oriental calligraphy, postwar gestural painting, and much more. As he considers these works, Morley reveals how artists have responded to an environment increasingly saturated with words, and also asks how the mass media have adopted and adapted artistic devices in propaganda, typography, and advertising. The book ends with a look at current developments in the world of hypertext, where word and image have at last found an essential unity.

À propos de l?auteur

Simon Morley is an artist, curator and lecturer. After studying at Oxford University he lived and trained as an artist in Italy, the United States, and finally at Goldsmiths College, London. He teaches at the Sotheby's Institute of Art, London, and has exhibited his work internationally.