Rose [Rosa Indica]

Pierre Joseph Redoute

Edité par Paris, 1827
Ancien(s) ou d'occasion

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This striking originally hand-colored stipple engraving is from Pierre Joseph Redoute's Le Choix des Plus Belles Fleurs. This is from the first edition of the work and was published in Paris between 1827 and 1833 by Panckoucke.These were engraved with a stipple technique on copper, printed in some color. There were printed by Bessin, Chapuy, Langlois, and Victor after Redoute's illustrations. Each engraving is hand-finished with watercolor. This is a very rare presentation in large folio format with wide margined paper. It is speculated that Redoute published 5 in folio format, but research from Hunt is speculative of a slightly higher number. (Hunt, Redouteana) "A superb work, one of the finest of all collections of flower prints." (Dunthorne)Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Choix is often considered some of Redoute's most desirable work, a culmination of his impressive skill and talent. He aimed to make the composition more appealing to the upper classes which created highly decorative engravings.Redoute's fame is due in large part to his diligent effort to perfect the use of stipple engraving. This labor intensive, and therefore expensive, technique creates subtle yet stunning variations of color making it superior to the engraving alone. Each plate was created using the 'a la poupee' process in which the color was applied before the printing. Hand-finished coloring was painstakingly applied after printing.Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.The process of stipple engraving and color printing give the Redoute engravings their luminous quality. Stippling is an etching process that employs dots instead of lines to form the image, which is then color printed by applying colored inks directly to the copper plate for each impression. The use of colored inks, greens and browns to print the stems and leaves, and reds and pinks to print the flowers, create a more luminous print by eliminating the necessity to paint watercolor over a back inked image. --- The work is in very good to excellent condition overall. There may be a few minor imperfections or faint marks to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 12 1/4" by 19". N° de réf. du vendeur redoute-choix072

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Détails bibliographiques

Titre : Rose [Rosa Indica]
Éditeur : Paris
Date d'édition : 1827
Etat : Fine
Edition : Edition originale

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REDOUTÉ, Pierre-Joseph (1759-1840; 'Her Majesty's Flower-Painter'):

Vendeur : C O - L I B R I , Bremen - Berlin ; Deutschland / Germany ., Berlin, Allemagne

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18 sheets of paper of the period, sizes from ca. 24 x 19 cm to ca. 31 x 22 cm; the drawings within pencil-frames of ca. 18 x 13/14 cm, slightly varying; 16 of them signed 'P. J. Redouté' in the lower left corner of the frame****. - Loose in olive-grey folded carboard of the period with ink-title at frontpanel (as quoted above) and another similar title in pencil at inner rear-panel (perhaps by Redouté himself): ''Dessin / des Roses / 168 Dessin au Trait / Collection des Dessins originaux / de L'ouvrage des Roses pour l'Edition en-4°- / 168 Dessins au Trait''; Folio (ca. 32,5 x 24,5 cm). *** CHARMING COLLECTION OF REDOUTÉ'S LINE-DRAWINGS FOR THE SECOND EDITION OF HIS OPUS MAGNUM 'LES ROSES', CONTAINING 18 (of ?) SHEETS APPARENTLY EXECUTED BY THE MASTER HIMSELF. - *) As we had no access yet to an Octavo-set (it was printed from 1824-1826) the roses/plates have been identified according to the digitalized Library-of-Congress-copy of the first Edition, 1817-1824. **) 2 of the 3 watermarked sheets carry the additional imprint 'Turkey Mill'; ***) one of them only shows the upper half of the year which looks like 1824, although the upper part of the '4' looks very similar to the upper part of '1', yet the stroke from top-right downwards to the left is longer and not complete (as in '1') and therefore probably of a '4'. ****) Unsigned are the sheet/rose which we could not identify acc. to L.o.C.-copy and 'Rosa gallica (55)' as stated above. --- Very few sheets slightly-but-shallow spotty, mainly in the outer margin, few sheets - mainly the larger ones slightly to somewhat frayed at lower or right edge. OVERALL AN IMPRESSIVE AND CERTAINLY UNIQUE SET. N° de réf. du vendeur 2401040028xpkd

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