craig spence (36 résultats)

Paperback. Etat : Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Etat : Good. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Etat : Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Paperback. Etat : Good. Paperback book in good condition.

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : New. 2023. paperback. . . . . .

Paperback. Etat : Very Good. Paperback with one or two instance of minor exterior wear. Review copy, with letter from the Urban History Yearbook - paperclip imprinting a little onto title page and inside front cover. Interior is otherwise clean throughout, and all content is clear. TS. Used.

Etat : New. 2023. paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Etat : Very Good.

Booklet - Unbound Pages. Etat : Very Good. 7 pages, illustrated. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Supplied without title page or cover. Size: A4 Size. Multiple copies available this title. Category: History Today; Cosmo Books : 28 years selling on ABE; 28 years of taking care of customers on ABE; A seller you can rely on.

Etat : Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Hardcover. Etat : Very Good. First Edition. Publisher's hardback in very good condition: firm and square, strong joints, just mildly rubbed. Contents tight and clean; no pen-marks, save a previous owner's name at the endpaper. Not from a library so no such stamps or labels. Thus a tidy book in presentable condition.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. First Edition / First Print. Hardback copy in pictorial boards, price clipped matching dustjacket in new removable protective clear sleeve. 119pp. Photographs throughout. Signed by author in black ink to title page. Not library copy. (66/5). Signed by Author(s).

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. First Edition / First Print. Hardback copy in pictorial boards, price clipped matching dustjacket in new removable protective clear sleeve. 119pp. Photographs throughout. Signed by author in black ink to title page. Not library copy. (20/6). Signed by Author(s).

Soft cover. Etat : Good. No Jacket. 1st Edition. English text; Paperback; 22 x 28 cm; 4.1 Kg; 640 pages with colour illustrations throughout.; Used with signs of wear on the exterior, namely edge wear and a few scratches and wear marks on the front cover, spine and back cover. Minor bumps on the top of the front cover and back cover. Minor wear marks on the first 15 pages at top, probably due to the bump on the front cover. Remaining interior in very good condition.; Catalogue from the exhibition New Songs on Ancient Tunes: 19th-20th Century Chinese Paintings and Calligraphy from the Richard Fabian Collection, organized by the Honolulu Academy of Arts and presented at the museum from August 30 to October 28, 2007.; This catalogue introduces Chinese painting and calligraphy from a revolutionary period in recent history-the nineteenth and early twentieth centuries. This period encompasses the fall of the Qing (Ch'ing) dynasty, the establishment of the Republic of China under Sun Yat-sen and Chiang Kai-shek, and the founding of the People's Republic of China under Mao Zedong (Mao Tse-tung). Chinese art of these two centuries witnessed a remarkable series of transformations, seen here through the prism of the Richard Fabian Collection, an extraordinary group of over two hundred works, many published here for the first time. Painting and calligraphy are easily the most sophisticated of all Chinese art forms. New Songs on Ancient Tunes focuses on the recent history of these two art forms from several vantage points: the significance of regional centers of artistic production, the impact of political and economic upheaval, the special relationship between painting and calligraphy extending back to antiquity, and the human stories of artists and patrons that bring these remarkable works to life. New Songs on Ancient Tunes explores a broad range of subjects, providing the contemporary viewer with a vehicle to better grasp the larger story of China's classical calligraphy and painting traditions as well as basic aspects of Chinese culture and identity. Conservative tendencies in late Qing painting, the concurrent fascination with archaeology and epigraphy that provoked a revolution in calligraphic theory and practice, the Shanghai School, the so-called Epigraphic School or Movement in northern and southern China, the Lingnan School of Canton, and the experiences of Chinese artists in Europe and Japan in the late Qing and early Republic periods are only a few of this new study's key focal points.

tapa dura. Etat : Bien. Historia.(93) London in the 1690s: A Social Atlas Centre for Metropolitan History ; Institute of Historical Research. Londres. 2000. 22 x 31 cm. 200 p. il. tab. map. Encuadernación en tapa dura de editorial con sobrecubierta. Idioma inglés . (=3294169=) PD192.

Etat : New.

Hardback. Etat : New. Between the mid-seventeenth and mid-eighteenth century more than 15,000 Londoners suffered sudden violent deaths. In the early modern period, accidental and 'disorderly' deaths - from drowning, falls, stabbing, shooting, fires, explosions, suffocation, and animals and vehicles, among others - were a regular feature of urban life.Between the mid-seventeenth and mid-eighteenth centuries more than 15,000 Londoners suffered sudden violent deaths. While this figure includes around 3,000 who were murdered or committed suicide, the vast majority of fatalities resulted from accidents. In the early modern period, accidental and 'disorderly' deaths - from drowning, falls, stabbing, shooting, fires, explosions, suffocation, animals and vehicles, among other causes - were a regular feature ofurban life and left a significant mark in the archival records of the period. This book provides the first substantive critical study of the early modern accident, revealing and chronicling the lives - and deaths - of hundreds of otherwise unknown Londoners. Drawing on the weekly London Bills of Mortality, parish burial registers, newspapers and other related documents, it examines accidents and other forms of violent death in the city with a view tounderstanding who among its residents encountered such events, how the bureaucracy recorded and elaborated their circumstances and why they did so, and what practical responses might follow. Through a systematic review of the character of accidents, medical and social interventions, and changing attitudes toward the regulation of hazards across the metropolis, it establishes the historical significance of the accident and shows how, as the eighteenth century progressed, providential explanations gave way to a more rational viewpoint that saw certain accident events as threats to be managed rather than misfortunes to be explained. Additionally, the book explores how knowledge of such incidents was transformed to become a recurring cultural trope in oral, textual and visual narratives of metropolitan life, thereby opening a window to the way in which sudden death and violent injury was understood by early modern mentalities. CRAIG SPENCE is Senior Lecturer in History at Bishop Grosseteste University.

Etat : Brand New. Between the mid-seventeenth and mid-eighteenth century more than 15,000 Londoners suffered sudden violent deaths. In the early modern period, accidental and 'disorderly' deaths - from drowning, falls, stabbing, shooting, fires, explosions, suffocation, and animals and vehicles, among others - were a regular feature of urban life.

Etat : New. In.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

Etat : New. Satisfaction Guaranteed or your money back.

Hardback. Etat : New. Between the mid-seventeenth and mid-eighteenth century more than 15,000 Londoners suffered sudden violent deaths. In the early modern period, accidental and 'disorderly' deaths - from drowning, falls, stabbing, shooting, fires, explosions, suffocation, and animals and vehicles, among others - were a regular feature of urban life.Between the mid-seventeenth and mid-eighteenth centuries more than 15,000 Londoners suffered sudden violent deaths. While this figure includes around 3,000 who were murdered or committed suicide, the vast majority of fatalities resulted from accidents. In the early modern period, accidental and 'disorderly' deaths - from drowning, falls, stabbing, shooting, fires, explosions, suffocation, animals and vehicles, among other causes - were a regular feature ofurban life and left a significant mark in the archival records of the period. This book provides the first substantive critical study of the early modern accident, revealing and chronicling the lives - and deaths - of hundreds of otherwise unknown Londoners. Drawing on the weekly London Bills of Mortality, parish burial registers, newspapers and other related documents, it examines accidents and other forms of violent death in the city with a view tounderstanding who among its residents encountered such events, how the bureaucracy recorded and elaborated their circumstances and why they did so, and what practical responses might follow. Through a systematic review of the character of accidents, medical and social interventions, and changing attitudes toward the regulation of hazards across the metropolis, it establishes the historical significance of the accident and shows how, as the eighteenth century progressed, providential explanations gave way to a more rational viewpoint that saw certain accident events as threats to be managed rather than misfortunes to be explained. Additionally, the book explores how knowledge of such incidents was transformed to become a recurring cultural trope in oral, textual and visual narratives of metropolitan life, thereby opening a window to the way in which sudden death and violent injury was understood by early modern mentalities. CRAIG SPENCE is Senior Lecturer in History at Bishop Grosseteste University.

Hardcover. Etat : Brand New. 288 pages. 9.50x6.50x1.00 inches. In Stock.

Draft script for the Season 1 Episode 39 of the 1957-1960 syndicated television series, which originally aired on September 24, 1957. Copy belonging to actor Johnny Crawford, with his name in manuscript pencil on the front wrapper, and his manuscript ink and pencil annotations throughout. The series followed the adventures of Chuck and P.T., co-owners of a fictitious helicopter chartering company, Whirlybirds Inc. In this installment, Chuck and P.T. fly a man to a hospital following a car accident, only to discover his wife, who is back at their home in the mountains, also needs prompt medical attention. Blue titled wrappers. Title page present, dated April 17, 1957, with credits for screenwriters Robert Schaefer and Eric Freiwald. 40 leaves, with last page of text numbered 38. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with three gold brads.

Revised Draft script for the seventh episode of season one of the 1957-1960 syndicated television series, which originally aired on February 14, 1957. Copy belonging to actor Johnny Crawford, with his name in manuscript pencil on the front wrapper, and his manuscript ink and pencil annotations throughout. With a shooting schedule bound in after the title page. The series followed the adventures of Chuck and P.T., co-owners of a fictitious helicopter chartering company, Whirlybirds Inc. In this installment, two local boys fall down a mine shaft, and Chuck and P.T. are brought in to save them. Brown titled wrappers, noted as Revised on the front wrapper, dated 12/13/56. Title page present, noted as Revised, with credits for screenwriters Robert Schaefer and Eric Freiwald, dated 12/13/56. 47 leaves, with last page of text numbered 41. Mimeograph duplication, rectos only, with blue and pink revision pages throughout, dated variously between 12/18/56 and 12/27/56. Pages Near Fine, wrapper Near Fine, bound internally with three gold brads.