Francesca tasso (70 résultats)
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Sculpter a La Renaissance : Un Art Pour Émouvoir, Renaissance Sculpture: an Art to Persuade
Bormand, Marc (EDT); Strozzi, Beatrice Paolozzi (EDT); Preti, Monica (EDT)
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Paperback. Etat : New. This volume collects the papers presented at the international study conference Sculpting in the Renaissance: an art to (com)move / Sculpter à la Renaissance. Un art pour (é)mouvoir organised by the Musée du Louvre in Paris and the Castello Sforzesco in Milan to accompany the exhibition Le corps et l'âme.…De Donatello à Michel-Ange. Scultures italiennes de la Renaissance (Officina Libraria, 2020), held between 2020 and 2021. With the involvement of some of the most important specialists in Renaissance sculpture, the aim was to investigate the interactions, influences and exchanges between the plastic arts and other Renaissance art forms capable of revealing feelings through expressions of the body, through the works of Agostino di Duccio, Donatello, Michelangelo and other local sculptors. The aim is also to place within their social, devotional and intellectual context the different manifestations of feeling of which sculpture is one of the privileged media. Sacred art themes in particular were addressed, in an attempt to explain their formal evolution in relation to the socio-cultural transformations of the time, but also to local traditions and their dramatisation.Text in English, French and Italian.
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Sculpter a La Renaissance : Un Art Pour Émouvoir, Renaissance Sculpture: an Art to Persuade
Bormand, Marc (EDT); Strozzi, Beatrice Paolozzi (EDT); Preti, Monica (EDT)
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Paperback. Etat : new. Paperback. This volume collects the papers presented at the international study conference Sculpting in the Renaissance: an art to (com)move / Sculpter a la Renaissance. Un art pour (e)mouvoir organised by the Musee du Louvre in Paris and the Castello Sforzesco in Milan to accompany the exhibition Le corps… et l'ame. De Donatello a Michel-Ange. Scultures italiennes de la Renaissance (Officina Libraria, 2020), held between 2020 and 2021. With the involvement of some of the most important specialists in Renaissance sculpture, the aim was to investigate the interactions, influences and exchanges between the plastic arts and other Renaissance art forms capable of revealing feelings through expressions of the body, trough the works of Agostino di Duccio, Donatello, Michelangelo and other local sculptors. The aim is also to place within their social, devotional and intellectual context the different manifestations of feeling of which sculpture is one of the privileged media. Sacred art themes in particular were addressed, in an attempt to explain their formal evolution in relation to the socio-cultural transformations of the time, but also to local traditions and their dramatisation. Text in English, French and Italian. AUTHORS: Marc Bormand is the conservator of the Louvre sculpture department, responsible for the Italian sculpture of Moyen Age and the Renaissance. Co-commissaire, among others, of the exhibition Desiderio da Settignano - La decouverte de la grace dans la sculpture de la Renaissance (Paris, Louvre, 2006-2007; Florence, Bargello, 2007; Washington, National Gallery of Art, 2007). In 2013, the exhibition TLa primavera del Rinascimento. La scultura e le arti a Firenze 1400-1460 was organised with Beatrice Paolozzi Strozzi at the Bargello National Museum in Florence and, between 2013 and 2014, at the Louvre in Paris. Beatrice Paolozzi Strozzi descendant of the historical Florentine Strozzi family, was the director of the national museum of Bargello in Florence in 2014. She is an ordinary academic of the art of design. These scientific publications are well-known, both in the domain of the Renaissance and in the art of the 20th century. She currently collaborates with the Louvre Museum. Monica Preti is currently the scientific director of Pistoia Museums. Historian of modern art, she worked on the history of the collection and on the relationship between art and literature in the Renaissance era. Francesca Tasso is currently director of the civic museums of Castello Sforzesco in Milan. She studied in particular Late Gothic and Renaissance art and the formation of the collections of the Milan museums. The most recent publications include: Vetri contemporanei al Castello Sforzesco. La collezione Bellini-Pezzoli (with Claudio Salsi, Marsilio, 2017), Leonardo Da Vinci. La sala delle Asse del Castello Sforzesco (with Michela Palazzo, Silvana, 2017). SELLING POINTS: . Studies accompanying a highly successful exhibition at the Louvre in Paris and the Castello Sforzesco in Milan . Essays by eminent specialists in Renaissance sculpture . An international and interdisciplinary perspective that brings different art forms into dialogue, and new readings of a subject that has been very much in vogue in recent years 85 colour illustrations Collection of historical-critical studies on Italian Renaissance sculpture with attention to its meanings and a re-semantisation of its forms. Text in English, French and Italian. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Sculpter a La Renaissance : Un Art Pour Émouvoir, Renaissance Sculpture: an Art to Persuade
Bormand, Marc (EDT); Strozzi, Beatrice Paolozzi (EDT); Preti, Monica (EDT)
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Brossura. Etat : new. A cura di Beatrice Paolozzi Strozzi, Marc Bormand, Francesca Tasso e Monica Preti. Testo Italiano, Inglese e Francese. Milano, 2024; br., pp. 224, 85 ill. col., cm 16,5x24. (Saggi in Officina). Nella mostra e nel catalogo "Il Corpo e l'anima" si era cercato di sintetizzare la complessa storia della scultura… in Italia a cavallo del Cinquecento, raccontata attraverso l'alternanza proposta da Aby Warburg tra l'ethos «apollineo» e il pathos «dionisiaco». Le giornate di studio che l'hanno accompagnata, tenutesi a Parigi e a Milano, hanno offerto l'opportunità a numerosi storici dell'arte e studiosi di approfondire alcuni argomenti e hanno dato vita a questo libro. Philippe Toussaint, prendendo spunto dalle interpretazioni warburghiane sull'antica figura del centauro, analizza il rito funebre nel rilievo della tomba di Francesco Sassetti in Santa Trinita a Firenze, evidenziandone il sincretismo tra mondo pagano e cristiano che ha dato origine a una «immortalità scolpita». Ulrich Pfisterer esplora la scultura come veicolo di piacere, sensualità ed emozione negli studioli, i luoghi in cui gli umanisti e i letterati si dedicavano allo studio, mentre Philippe Morel mostra come la figura della menade, in preda all'antica trance dionisiaca, sintetizzi dolore ed erotismo nell'opera di Agostino di Duccio e Bertoldo di Giovanni. Patricia Lee Rubin si concentra sulla scultura come espressione della malinconia associata alla morte a Roma, sia negli Schiavi per la tomba di Giulio II di Michelangelo sia nella tomba Tornabuoni di Andrea del Verrocchio. La rappresentazione del pathos e il tema dell'obbedienza a Dio e dell'atteggiamento nei confronti della morte sono i temi al centro dello studio di Gabriela Mazzon sul sacrificio di Isacco. Ludmila Acone, dal canto suo, mostra la natura virtuosa della danza nell'Italia del Quattrocento, dove l'immaginazione del movimento coreutico permetteva di dar forma a un mondo ideale. Nel suo studio sul teatro sacro nella Firenze del Quattrocento, Paola Ventrone dimostra come le innovazioni spaziali di Brunelleschi abbiano reso possibile una nuova efficacia espressiva del messaggio visivo per gli spettatori/credenti. Infine, Anne Lepoittevin mette in luce i legami tra il teatro sacro e i gruppi scultorei del Sacro Monte di Varallo. Libro.
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Hardback. Etat : New. The Monochrome of the Sala delle Asse is a portion of wall decoration left at the drawing stage and represents the roots of one of the sixteen mulberry trees that, regularly spaced on the walls of the room, intertwine above to create a polychrome arboreal pavilion on the vault. The decoration of the room, w…hich was never completed, is historically tied to the name of Leonardo da Vinci by a letter written in April 1498 by Gualtiero da Bascapé, the secretary of Ludovico il Moro, to the duke of Milan, explaining that Lunedì si desarmarà la camera grande da le Asse c[i]oè da la tore. Magistro Leonardo promete finirla per tuto Septembre. The room was subjected to radically changing fortunes over the centuries, and was later the object of two complex restoration campaigns, the first carried out between 1893 and 1902 by Luca Beltrami and the second between 1955 and 1956 by Costantino Baroni. This volume provides an account of the result of these restorations. It describes the complex diagnostic research and the technical assessments that form the foundations of a broader project for the conservation of the painted area. Text in English and Italian.
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Sculpter a La Renaissance: Un Art Pour (E)mouvoir; Scolpire nel rinascimento, un'arte per (com)muovere
Bormand, Marc (Editor)/ Strozzi, Beatrice Paolozzi (Editor)/ Preti, Monica (Editor)
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Cartonato. Etat : new. A cura di F. Mazzocca, Cucciniello O. e Tasso F.Milano, 2016; cartonato, pp. 200, 80 ill. col., cm 17x24.(Saggi in Officina. 1). Le due città di Milano e Weimar sono unite, all' inizio dell' Ottocento, a un'amicizia intellettuale che nasce dall'interesse di Goethe e del suo mecenate, il granduca Carl Augus…t di Sassonia Weimar Eisenach, per il Cenacolo di Leonardo. Il pittore Giuseppe Bossi, su incarico di Eugène de Beauharnais, a partire dal 1807 lavora per realizzare una copia del celebre dipinto: da questo impegno nasce un cartone dell'intera composizione oggi conservato a San Pietroburgo, un dipinto che riproduce l'originale di Leonardo, perduto durante la Seconda guerra mondiale e, infine, la pubblicazione, nel 1811, di un volume dal titolo Del Cenacolo di Leonardo da Vinci Libri quattro, tanto apprezzato da Goethe da spingerlo a scrivere un saggio sul Cenacolo di Leonardo. I lucidi che Bossi trae dalle tre più importanti copie d'epoca del dipinto, da cui derivano i fogli conservati nella Raccolta Bertarelli del Castello Sforzesco di Milano, sono acquisiti da Carl August in occasione del suo soggiorno milanese del 1817, dopo la morte del pittore, grazie alla mediazione di Gaetano Cattaneo, amico fraterno di Bossi, e sono oggi conservati nelle raccolte artistiche di Weimar. E questi stessi lucidi sono serviti per la realizzazione di una copia a mosaico del Cenacolo nella Minoritenkirche, la chiesa nazionale degli italiani, di Vienna. Libro.
Scolpire nel Rinascimento un'arte per (com)muovere. Sculpter à la renaissance un art pour (è) mouvoir.
A cura: Bormand Marc -Paolozzi Strozzi Beatrice-Preti Monica-Tasso Francesca
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Etat : New. The Monochrome of the Sala delle Asse is a portion of wall decoration left at the drawing stage and represents the roots of one of the sixteen mulberry trees that, regularly spaced on the walls of the room, intertwine above to create a polychrome arboreal p.
Edité par Albert Skira, Ginevra-Milano, 2010
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Ajouter au panierBrossura. Presenti tavole in b/n e a colori n.t. e f.t. Numero di tavole: 0 pp.95 altezza 0 larghezza 0 Esemplare in buone condizioni.Copertina e tagli con tracce di polvere. Pagine leggermente ingiallite.Testo in Lingua Italiana.
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Paperback. Etat : new. Paperback. This volume collects the papers presented at the international study conference Sculpting in the Renaissance: an art to (com)move / Sculpter a la Renaissance. Un art pour (e)mouvoir organised by the Musee du Louvre in Paris and the Castello Sforzesco in Milan to accompany the exhibition Le corps… et l'ame. De Donatello a Michel-Ange. Scultures italiennes de la Renaissance (Officina Libraria, 2020), held between 2020 and 2021. With the involvement of some of the most important specialists in Renaissance sculpture, the aim was to investigate the interactions, influences and exchanges between the plastic arts and other Renaissance art forms capable of revealing feelings through expressions of the body, trough the works of Agostino di Duccio, Donatello, Michelangelo and other local sculptors. The aim is also to place within their social, devotional and intellectual context the different manifestations of feeling of which sculpture is one of the privileged media. Sacred art themes in particular were addressed, in an attempt to explain their formal evolution in relation to the socio-cultural transformations of the time, but also to local traditions and their dramatisation. Text in English, French and Italian. AUTHORS: Marc Bormand is the conservator of the Louvre sculpture department, responsible for the Italian sculpture of Moyen Age and the Renaissance. Co-commissaire, among others, of the exhibition Desiderio da Settignano - La decouverte de la grace dans la sculpture de la Renaissance (Paris, Louvre, 2006-2007; Florence, Bargello, 2007; Washington, National Gallery of Art, 2007). In 2013, the exhibition TLa primavera del Rinascimento. La scultura e le arti a Firenze 1400-1460 was organised with Beatrice Paolozzi Strozzi at the Bargello National Museum in Florence and, between 2013 and 2014, at the Louvre in Paris. Beatrice Paolozzi Strozzi descendant of the historical Florentine Strozzi family, was the director of the national museum of Bargello in Florence in 2014. She is an ordinary academic of the art of design. These scientific publications are well-known, both in the domain of the Renaissance and in the art of the 20th century. She currently collaborates with the Louvre Museum. Monica Preti is currently the scientific director of Pistoia Museums. Historian of modern art, she worked on the history of the collection and on the relationship between art and literature in the Renaissance era. Francesca Tasso is currently director of the civic museums of Castello Sforzesco in Milan. She studied in particular Late Gothic and Renaissance art and the formation of the collections of the Milan museums. The most recent publications include: Vetri contemporanei al Castello Sforzesco. La collezione Bellini-Pezzoli (with Claudio Salsi, Marsilio, 2017), Leonardo Da Vinci. La sala delle Asse del Castello Sforzesco (with Michela Palazzo, Silvana, 2017). SELLING POINTS: . Studies accompanying a highly successful exhibition at the Louvre in Paris and the Castello Sforzesco in Milan . Essays by eminent specialists in Renaissance sculpture . An international and interdisciplinary perspective that brings different art forms into dialogue, and new readings of a subject that has been very much in vogue in recent years 85 colour illustrations Collection of historical-critical studies on Italian Renaissance sculpture with attention to its meanings and a re-semantisation of its forms. Text in English, French and Italian. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
