Blues Legacies and Black Feminism: Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday

Davis, Angela Y.

ISBN 10: 067945005X / ISBN 13: 9780679450054

Edité par Pantheon Books, New York, 1998

A propos de cet article

New York: Pantheon Books, 1998. Octavo. Hardcover with a dust jacket. First edition. Inscribed by Angela Davis on the half-title page. Black boards with silver lettering along the spine. Spine is cocked. Modest foxing along the top edge of the text block. "Marcus Book Stores" sticker to the first free end paper. Unclipped jacket has mild edge wear. Book is good, unclipped jacket is very good.

N° de réf. du vendeur 003447

Détails bibliographiques

• Titre: Blues Legacies and Black Feminism: Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday
• Éditeur: Pantheon Books, New York
• Date de parution: 1998
• ISBN à 10 chiffres: 067945005X
• ISBN à 13 chiffres: 9780679450054
• Reliure: Hardcover
• Édition: 1st Edition
• État de l'article: Good
• État de la jaquette: Very Good
• Signé: Inscribed by Author(s)

A propos de ce titre

Synopsis

Examines the lives and art of Black women blues singers and argues that they expressed a Black, working class, feminist perspective

Présentation de l'éditeur

From one of this country's most important intellectuals comes a brilliant analysis of the blues tradition that examines the careers of three crucial black women blues singers through a feminist lens. Angela Davis provides the historical, social, and political contexts with which to reinterpret the performances and lyrics of Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday as powerful articulations of an alternative consciousness profoundly at odds with mainstream American culture.

The works of Rainey, Smith, and Holiday have been largely misunderstood by critics. Overlooked, Davis shows, has been the way their candor and bravado laid the groundwork for an aesthetic that allowed for the celebration of social, moral, and sexual values outside the constraints imposed by middle-class respectability. Through meticulous transcriptions of all the extant lyrics of Rainey and Smith—published here in their entirety for the first time—Davis demonstrates how the roots of the blues extend beyond a musical tradition to serve as a conciousness-raising vehicle for American social memory. A stunning, indispensable contribution to American history, as boldly insightful as the women Davis praises, Blues Legacies and Black Feminism is a triumph.