Synopsis
The title-poem of Jo Shapcott's astonishing first collection describes an experiment by a 19th-century French scientist who devised a way of mummifying bodies by giving them a metal coating. Not all Jo Shapcott's poems are as bizarre and gruesome as this tour-de-force, but all her tales of the unexpected are as disconcerting, and cover an enormous range of subjects and ideas. A Shapcott poem can be a dangerous place, and you may find yourself on shifting ground: you start off reading a funny, skilful poem, and then suddenly it's all been swept away to reveal some savage insight into science, sexual politics or what you thought was history.
À propos de l?auteur
Jo Shapcott is one of Britain’s leading poets. She has twice won the National Poetry Competition, and won the Forward Prize in 1999. She was Northern Arts Literary Fellow at the universities of Newcastle and Durham in 1998-2000, and is Visiting Professor of Poetry at Newcastle University and at the University of the Arts, London; she also teaches on the MA in Creative Writing at Royal Holloway College. Her poetry books include Electroplating the Baby (Bloodaxe Books, 1988), Phrase Book (OUP, 1992), My Life Asleep (OUP, 1998), Her Book (Faber, 1999), Tender Taxes, including her versions from Rilke’s French poems (Faber, 2001), and Of Mutability (2010), winner of the Costa Book of the Year Award. She co-edited the anthology Emergency Kit: Poems for Strange Times (Faber, 1996) with Matthew Sweeney, and Elizabeth Bishop: Poet of the Periphery (Bloodaxe / Newcastle University, 2002) with Linda Anderson. She gave the first of the Newcastle/Bloodaxe Poetry Lectures, The Transformers, in 2001, the book of which may one day be published by Bloodaxe. She received the Queen's Gold Medal for Poetry for 2011.
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