Jessica Fisher's Frail-Craft is Louise Gl�ck's fourth selection for the Yale Series of Younger Poets, the oldest annual literary prize in the United States. Through deft, quietly authoritative lyrics, the poet meditates on the problems and possibilities, the frail craft, of perception for the reader or the dreamer, maintaining that 'if the eye can love - and it can, it does - then I held you and was held'. In her foreword to the book, Louise Gl�ck writes, 'What gives Jessica Fisher's work its sense of form, of repose, is her perfection of ear. That repose, with its strange mobility, its accommodation of surprise, is Fisher's particular genius. To enter these poems is to be suspended in them: like dreams, they both surround and elude.' __________________________________________________________ Frail-Craft It's a true story: we were at sea, together at risk, and he was very poor, a regular fisherman, from a family of such. He happened to fill the equation in the geometry of appetite I trace: for even the blind can see! And so you see it's not so much about the eye as whatever is made to serve the master who asks for wine, wants the pickled fruits de mer alongside the treatise on navigation and the maps that show what oceans hide. Yet men still drown in order to know the difference between sky and whatever name you give to the deep. Otherwise they see the sea as surface, want to sit on the beach and say Look at me, looking at the sea!

� propos de l?auteur

Jessica Fisher is a doctoral candidate in English at the University of California at Berkeley. She is coeditor, with Robert Hass, of The Addison Street Anthology. She lives in Oakland.

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Visit us at www.ruralhours.com. Rural Hours (formerly Wood River Books) specializes in ecology, natural history, nature and science writing, the environment, ecopoetics, contemporary essay, and literary journalism, with a special passion for association copies and notable inscriptions. Our name is an homage to Susan Fenimore Cooper's book Rural Hours (1850), considered the first work of environmental nonfiction by an American woman. The daughter of James Fenimore Cooper, Susan Cooper was also an accomplished watercolorist, and her birds from Rural Hours populate these pages. Her rendering of a "chimney swallow" (now known as a swift) serves as our logo and mascot: sleek and elevated, part sky and part city street. Rural Hours is mainly a project of writer and teacher Nick Neely. Along with a pair of MFA degrees in nonfiction and poetry, Nick has a Master's in Literature and Environment from the University of Nevada, Reno. He has much expertise and years of experience in the field of eco-writing. His first book, Coast Range, was a finalist for John Burroughs Medal for nature writing and his second book, Alta California--about a 12-week trek he made along the California coast--was a Los Angeles Times bestseller. Check out the "Rambles" page for eventual short essays from him on environmental lit, new books, and more. Rural Hours is a young venture, but we aspire to be among the leaders in the field of rare and interesting eco-writing. We believe, emphatically, that environmental literature and its preservation is in the service of the preservation of the world. In addition to helping serious collectors and institutions build their libraries and archives, our goal is to curate a substantial "house collection" of environmental writing for public display on this site and beyond, one that shows the evolution of the genre(s). That will be a perennial work in progress. We hope to draw a deep, explorable map of environmental writing that traces the lineage and connections between authors and artists determined to render and protect the earth, locally and globally. At the same time, we would like to challenge the usual contours of the "environmental literature" canon and promote a more diverse and inclusive array of voices; in that way, our longterm goal is to excavate the past and curate toward the future. Rural Hours also hopes to eventually have an open shop and gallery space, but for now we are only online. You've come to the right the place. Enjoy poking around, and then head out for a walk.

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