Vendeur
Jeff Hirsch Books, ABAA, Wadsworth, IL, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
Vendeur AbeBooks depuis 26 septembre 2008
First edition. Hardcover. The first retrospective monograph on Friedlander published in conjunction with an exhibition at the Hudson River Museum. Includes 137 black and white images. A clean near fine copy in blue cloth boards with some very minute wear. No dust jacket as issued. Signed by Friedlander on the title page. A very nice copy with none of the usual fading to the spine. N° de réf. du vendeur 203567
Titre : Lee Friedlander Photographs (Signed First ...
Éditeur : Haywire Press, New City, NY
Date d'édition : 1978
Reliure : Couverture rigide
Signé : Signed
Edition : First Edition.
Vendeur : Blank Verso Books, ABAA, Mill Valley, CA, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Near Fine. Lee Friedlander (illustrateur). 1st Edition. AMERICAN MUSICIANS, Photographs by LEE FRIEDLANDER. CHRISTMAS PRESENTATION COPY - SIGNED, INSCRIBED & DATED by LEE AND MARIA FRIEDLANDER on the half-title page: "Christmas 1998 / For Jenny & Marcus / with Love / Lee & Maria". (As this is a 1998 Christmas presentation, warmly signed "with Love" in the year of publication, there is clearly a relationship between the Friedlanders and Jenny and Marcus. But I can't find it, so I'm leaving it to you to figure out exactly who Jenny and Marcus are and their relationship to the Friedlander family. Please let me know if you uncover it!) NEW YORK: D.A.P. / Distributed Art Publishers, 1998. First edition. Hardcover Book in Dustjacket, 9.5x10 inches, 295 pages. FULLY ILLUSTRATED with 514 color and b&w photographs. Musicians photographed include: Mose Allison, Louis Armstrong, Chet Baker, Johnny Cash, Ray Charles, John Coltrane, Miles Davis, Ella Fitzgerald, Dizzy Gillespie, Frank Sinatra, and many others. Condition: FINE book, tight, bright, clean and unmarked; in a NEAR FINE dustjacket that shows slight signs of handling. A LOVELY copy. INTERNATIONAL BUYERS PLEASE NOTE: This book is heavy and will require additional shipping charges. After placing your order you will be notified of the additional charges and be able to accept or reject them before your payment is processed. Or you can contact us ahead of time to find out the shipping charge to your country. Thanks. Inscribed by Author(s). N° de réf. du vendeur 004243
Quantité disponible : 1 disponible(s)
Vendeur : Vincent Borrelli, Bookseller, Albuquerque, NM, Etats-Unis
Soft cover. Etat : Near Fine. 1st Edition. First edition, first printing. Signed by Friedlander. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Photographs and text (untitled preface) by Lee Friedlander. Designed by Friedlander and Marvin Israel. Unpaginated (88 pp.) with 42 plates plus the cover image (not reproduced inside the book), printed by the Meriden Gravure Company, Meriden, Connecticut, from duotone separations made by Richard Benson. 8-1/2 x 9-1/8 inches. Out of print. Scarce. [Cited in Andrew Roth, ed., The Book of 101 Books: Seminal Photographic Books of the Twentieth Century. (New York: PPP Editions in association with Roth Horowitz LLC, 2001), in Andrew Roth, ed., The Open Book. (Göteborg, Sweden: Hasselblad Center in association with Steidl Verlag, Göttingen, Germany, 2004), and in Martin Parr and Gerry Badger, The Photobook: A History, Volume I. (London and New York: Phaidon, 2004).] Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. Near Fine (wear to the extremites, else Fine). Friedlander's Self-Portraits call attention to the complex, fractured and sometimes dissimulating interplay between various screens, shadows, reflections, lenses and the surfaces of the photographs themselves. Introducing this body of work, Friedlander wrote, "I might call myself an intruder." Following this, in Andrew Roth's Book of 101 Books Vince Aletti asserts, "Friedlander does seem to be lurking or barging into his own pictures -- a hovering, disembodied Everyman, at once here and gone. Like the ephemeral figures in nineteenth-century spirit photos, he appears as a shadow, a reflection, a pair of shoes, a barely discernible shape. Although there are a number of shots where Friedlander's head is clearly visible in a mirror or looms unmediated into the frame, none are conventional or in any sense flattering self-portraits.Mostly, however, he seems determined to remove himself from the frame -- to become not the subject of the picture but just another incidental bit of photographic phenomena, no more important that a shaft of sunlight or a shop window or a passing shadow." Signed by Author. N° de réf. du vendeur 111293
Quantité disponible : 1 disponible(s)