Principles of Zoology, Part I, Comparative Physiology (William H. Brewer's copy as a Yale student, with his signature)

Langue : anglais

Edité par Gould, Kendall and Lincoln, Boston, 1848

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A nice association copy, with the ownership signature of William Henry Brewer on the front free endpaper and his location and date, "Analty. Labs. New Haven. June 28th 1850." Brewer published no books in his lifetime, thus his signature is scarce. He is best known as the the chief botanist of the California Division of Mines and Geology (today's California Geological Survey), which took him into the field for four years, as chronicled in his posthumous classic, Up and Down California in 1860-1864 (see our copy). He was handpicked by Josiah Whitney for the role. He later became the Chair of Agriculture at Yale's Sheffield Scientic School, and he took part in the famous Harriman Expedition to Alaska. His signature here predates these successes, though, and was penned when he was just 22 and himself a student in the Yale Analytical Labs which would become the Sheffield Scientific School. He began his studies there in 1848. Thus this copy was truly his textbook and undoubtedly influential in his career. Read more about Brewer in the biography that accompanies his papers at Yale. Agassiz is cross-referenced as a subject in those papers, but it's unclear if Brewer's papers hold correspondence between them; seems likely, and Brewer spent time in Cambridge with Asa Gray and Josiah Whitney and probably would have associated also with Agassiz. The front free endpaper also holds the Yale bookplate of Georgiana Baxter (later Georgiana Baxter Deevy) and her stamp is on the pastedown. Baxter was herself an interesting figure and early woman in American biology, earning her doctorate from Yale in 1939 with a thesis on tarantulas, studying marine zooplankton at Woods Hole, returning to Yale as a research associate for 21 years, and ultimately becoming the curator of biological oceanography at the Florida State Museum at the University of Florida (her biography gleaned from this posthumous paper). Principles of Zoology was Agassiz's first book published in America and it became a foundational textbook, with many editions published. A Part II was intended, but it did not come to fruition, as his wife and biographer, Elizabeth Cabot Agassiz, explains in Louis Agassiz: His Life and Correspondence: "[Principles of Zoology, Part I] had a large sale, especially for schools. Edition followed edition, but the sale of the first part was checked by the want of the second, which was never printed. Agassiz was always swept along so rapidly by the current of his own activity that he was sometimes forced to leave behind him unfinished work. Before the time came for the completion of the second part of the zoology, his own knowledge had matured so much, that to be true to the facts, he must have remodeled the whole of the first part, and for this he never found the time." As the preface states, "the design of this work is to furnish an epitome of the leading principles of the science of Zoology . so illustrated as to be intelligible to the beginning student. No similar treatise now exists in this country, and indeed some fo the topics have not been touched upon in the language." See our photos of the title pages for the array of topics covered. Agassiz and Gould tour the reader through comparative anatomy, physiology, and classification, and arrive at a discussion of "natural arrangement" that supports a creationist view that animal branches are divine rather that evolutionary. As this biography puts its, "The cornerstone of Agassiz's biological thought was his belief that the gradation from low to high forms, in any taxon, paralleled the order of appearance in the fossil record, the order of stages in the organisms' development, and the distribution and ecology of the taxon." Agassiz famously did not come around to Darwin's theory and was his primary foil in America, with Asa Gray, his Harvard colleague in botany, Darwin's great champion. The frontispiece diagram of the book shows their theory of animal lineages (taxa) through time as represented by fossils.…

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Détails bibliographiques

Titre
Principles of Zoology, Part I, Comparative Physiology (William H. Brewer's copy as a Yale student, with his signature)
Auteur
Agassiz, Louis [Augustus A. Gould] [William H. Brewer] [Georgiana Baxter Deevy]
Éditeur
Gould, Kendall and Lincoln, Boston
Année de publication
1848
État de l'article
Good
Signé
Signed
Reliure
Hardcover
Langue
anglais
Édition
First edition.
Dimensions
Duodecimo

Rural Hours

La Grande, OR, Etats-Unis

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Visit us at www.ruralhours.com. Rural Hours (formerly Wood River Books) specializes in ecology, natural history, nature and science writing, the environment, ecopoetics, contemporary essay, and literary journalism, with a special passion for association copies and notable inscriptions. Our name is an homage to Susan Fenimore Cooper's book Rural Hours (1850), considered the first work of environmental nonfiction by an American woman. The daughter of James Fenimore Cooper, Susan Cooper was also an accomplished watercolorist, and her birds from Rural Hours populate these pages. Her rendering of a "chimney swallow" (now known as a swift) serves as our logo and mascot: sleek and elevated, part sky and part city street. Rural Hours is mainly a project of writer and teacher Nick Neely. Along with a pair of MFA degrees in nonfiction and poetry, Nick has a Master's in Literature and Environment from the University of Nevada, Reno. He has much expertise and years of experience in the field of eco-writing. His first book, Coast Range, was a finalist for John Burroughs Medal for nature writing and his second book, Alta California--about a 12-week trek he made along the California coast--was a Los Angeles Times bestseller. Check out the "Rambles" page for eventual short essays from him on environmental lit, new books, and more. Rural Hours is a young venture, but we aspire to be among the leaders in the field of rare and interesting eco-writing. We believe, emphatically, that environmental literature and its preservation is in the service of the preservation of the world. In addition to helping serious collectors and institutions build their libraries and archives, our goal is to curate a substantial "house collection" of environmental writing for public display on this site and beyond, one that shows the evolution of the genre(s). That will be a perennial work in progress. We hope to draw a deep, explorable map of environmental writing that traces the lineage and connections between authors and artists determined to render and protect the earth, locally and globally. At the same time, we would like to challenge the usual contours of the "environmental literature" canon and promote a more diverse and inclusive array of voices; in that way, our longterm goal is to excavate the past and curate toward the future. Rural Hours also hopes to eventually have an open shop and gallery space, but for now we are only online. You've come to the right the place. Enjoy poking around, and then head out for a walk.…