Roland Mathias Poetry Award (Wales Book of the Year)
Gwyneth Lewis’s highly inventive Sparrow Tree puts nature writing in a spin, presenting a huge variety of birds, both British and American: blue tits, blackbirds, egrets, juncos, starlings, herons and hummingbirds as well as the sparrows of the title. The book explores birds as mouthpieces for inhuman song and the wild inside the mind.
Launching flights of avian fancy or fantasy on several levels, Sparrow Tree moves from birdsong as proto-language to birds as decorative beings. The collection includes her already well-known How to Knit a Poem, commissioned by BBC Radio 4, and ends with images of the human word as a form of love.
'These are poems that gather darkly and peck. They feint and play hazardously with their beaks and sometimes take to wing… These are poems more concerned with the mechanisms of song – both human and avian – than they are with the song itself, and it is this resistance that makes the poems so often mesmerising…What Lewis pulls off…feels like an avian feat: she strikes a fine, improbable balance between gravity and levity. Even as her speaker struggles to access the language, to get the voice right, she gets us off the ground and ungiddily bids us, look’ – Elyse Fenton, New Welsh Review.
‘One of the most exhilaratingly gifted poets of her generation’ – M. Wynn Thomas, Guardian.
‘Such exuberant invention… The range of reference is so wide, we are intoxicated by it’ – Elaine Feinstein, Independent.
‘True stars in poetry like Gwyneth Lewis always match brilliance with warmth. She is the one to bet on’ – Les Murray
‘Felicitous, urbane, heartbreaking, the poems of Gwyneth Lewis form a universe whose planets use language for oxygen and thus are inhabitable’ – Joseph Brodsky
‘Gwyneth Lewis has so many of the gifts required for good poetry: command of form, with improvisation enlivening tradition; supple rhythm; originality of subject-matter and the right eye to pin down detail; humour, both sardonic and direct; and, above all, commitment to human feeling’ – Peter Porter
Gwyneth Lewis was Wales’s National Poet from 2005 to 2006, the first writer to be given the Welsh laureateship. Her first six books of poetry in Welsh and English were followed by Chaotic Angels (2005) from Bloodaxe, which brings together the poems from her English collections, Parables & Faxes, Zero Gravity and Keeping Mum, and by A Hospital Odyssey (2010), and Sparrow Tree (2011), winner of the Roland Mathias Poetry Award (Wales Book of the Year) in 2012. Her sixth collection in English, First Rain in Paradise, is published by Bloodaxe in 2025. Her other books include Sunbathing in the Rain: A Cheerful Book about Depression (Flamingo, 2002), Two in a Boat: A Marital Voyage (Fourth Estate, 2005), The Meat Tree: new stories from the Mabinogion (Seren, 2010), Nightshade Mother: A Disentangling (University of Wales Press, 2024) and The Poetry Detective: Writing and Reading Poetry Through Fear (Princeton University Press, 2025). With Rowan Williams she translated The Book of Taliesin (2019) for Penguin Classics. Zero Gravity won the Welsh Arts Council’s Book of the Year in 1999 and her collection in Welsh, Y Llofrudd Iaith the same prize the following year. Both Zero Gravity and Keeping Mum were Poetry Book Society Recommendations. Gwyneth Lewis composed the words on the front of the Wales Millennium Centre in Cardiff, opened in 2004. In 2014 she dramatised her book-length poem A Hospital Odyssey for the BBC, broadcast on Radio 4's Afternoon Drama, and delivered her Newcastle/Bloodaxe Poetry Lectures, published in Quantum Poetics (Bloodaxe Books, 2015). She lives in Cardiff and teaches regularly for Middlebury College’s Bread Loaf School of English in the US. She was Artist in Residence at Balliol College, Oxford in 2023-25; she did her doctorate there and was elected an Honorary Fellow. She received a Cholmondeley Award in 2010 for a distinguished body of writing, and in 2022 she was awarded an MBE for her services to literature and mental health.
