Stephen Shore: Survey (SIGNED)

Stephen Shore

ISBN 10: 1597113093 / ISBN 13: 9781597113090

Edité par Aperture/Fundación MAPFRE, 2014

A propos de cet article

Aperture/Fundacion Mapfre, 2014. Hardcover. First edition. Book condition: new. Career retrospective. Beautiful new copy signed on the title page by Stephen Shore. Signed following Aperture Foundation lecture. Ships to United States only! No orders outside the United States.

N° de réf. du vendeur wi005561000

Détails bibliographiques

• Titre: Stephen Shore: Survey (SIGNED)
• Éditeur: Aperture/Fundación MAPFRE
• Date de parution: 2014
• Langue: anglais
• ISBN à 10 chiffres: 1597113093
• ISBN à 13 chiffres: 9781597113090
• Reliure: Hardcover
• Édition: 1st Edition
• État de l'article: New
• Signé: Signed by Author(s)
• Catalogues du vendeur:
  • photobook

A propos de ce titre

Synopsis

Stephen Shore has had a significant influence on multiple generations of artists and photographers. Even for the youngest photographers working today, his work remains an ongoing and indisputable reference point. This book copublished with Fundación MAPFRE in conjunction with the first-ever retrospective exhibition, includes over 250 images that span Shore's impressive and productive career. The images range from 1969 to 2013, with series such as Early Works, Amarillo, New York City, American Surfaces, and Uncommon Places, among others. Stephen Shore: Survey elucidates Shore's contributions, as well as the historiographical interpretations of his work that have influenced photographic culture over the past four decades. Both the exhibition and the narrative of the catalogue are conceptualized around three particularly revealing aspects of Shore's work, including his analysis of photographic and visual language, his topographical approach to the contemporary landscape, and his significant use of color within a photographic context.

À propos de l?auteur

Stephen Shore had his work purchased by Edward Steichen for the Museum of Modern Art, New York, at age fourteen. At seventeen, Shore was a regular at Andy Warhol’s Factory, producing an important photographic document of the scene, and in 1971, at the age of twenty-four, he became the first living photographer since Alfred Stieglitz forty years earlier to have a solo show at the Metropolitan Museum of Art. He has had numerous one-man shows, including those at the Museum of Modern Art, New York; Kunsthalle Düsseldorf; Hammer Museum, Los Angeles; Jeu de Paume, Paris; and Art Institute of Chicago. Since 1982, he has been director of the photography program at Bard College. Stephen Shore had his work purchased by Edward Steichen for the Museum of Modern Art, New York, at age fourteen. At seventeen, Shore was a regular at Andy Warhol’s Factory, producing an important photographic document of the scene, and in 1971, at the age of twenty-four, he became the first living photographer since Alfred Stieglitz forty years earlier to have a solo show at the Metropolitan Museum of Art. He has had numerous one-man shows, including those at the Museum of Modern Art, New York; Kunsthalle Düsseldorf; Hammer Museum, Los Angeles; Jeu de Paume, Paris; and Art Institute of Chicago. Since 1982, he has been director of the photography program at Bard College. David Campany is one of the best-known and most accessible writers on photography. His books include The Open Road (Aperture, 2014), Walker Evans: The Magazine Work (2013), Jeff Wall: Picture for Women (2011), Photography and Cinema (2008), and Art and Photography (2003). His essays have appeared in numerous books and he contributes regularly to Aperture, Frieze, Photoworks, and Oxford Art Journal. Sandra S. Phillips was the longtime senior curator of photography at the San Francisco Museum of Modern Art. Marta Dahó is an independent curator based in Barcelona and the curator of the Stephen Shore exhibition at Fundación MAPFRE Horacio Fernández is a photo historian, curator, and author. From 2004 to 2006 he was commissioning general of PHotoEspaña. He is author of The Latin American Photobook (Aperture, 2011).