The Actor and His Body. Cet article n’est pas disponible.
Langue : anglais
Edité par Harrap, London, 1975
Série : Livre 11 sur 27 - Theatre Makers
- Éd. originale
- Livre broché
- Occasion

Vendeur : West End Books, Colwyn Bay Conwy North Wales, Royaume-UniWest End Books
Vendeur AbeBooks depuis 21 octobre 2009
Etat: Occasion - Satisfaisant
EUR 6,80
A propos de cet article
The Actor and His Body is also a practical manual for keeping the body physically fit and responsive - in Litz Pisk's terms, fully "tuned". There are suggested work-outs for 15 -30 and 60 minute periods as well as a complete Monday to Friday programme concentrating on different parts of the body. No Dust Jacket brown illustratedpaperback, glue exposed on front endpaper, sunned endpapers and occasionally throughout the book, otherwise clean tight copy in good/acceptable condition, 95pp plus 7pp of "The X-Rays" First published in Great Britain by Harrap 1975 Book#103756.
N° de réf. du vendeur 103756
- Titre
- The Actor and His Body
- Auteur
- Litz PISK
- Éditeur
- Harrap, London
- Année de publication
- 1975
- État de l'article
- Acceptable/Good
- Jaquette
- No Jacket
- Reliure
- Paperback
- Langue
- anglais
- ISBN à 10 chiffres
- 0245527214
- ISBN à 13 chiffres
- 9780245527210
- Édition
- 1st Edition
- Dimensions
- 8vo - over 7¾" - 9¾" tall
- Série
- Livre 11 sur 27: Theatre Makers
« Synopsis » peut appartenir à une autre édition de cet ouvrage.
Présentation de l'éditeur
Litz Pisk was widely regarded as the most influential teacher of modern theatre movement of the 20th Century. She innovated and advocated a physical training that sought to combine awareness, emotion and imagination specifically for the actor's craft. Her seminal book, The Actor and His Body, is the direct result of her unique dual career as a professional movement director and as an actor movement teacher working in leading British conservatoires.
Pisk's quest was to find expression for the inner impulse that motivated actors to move. Her teachings, as outlined in this book, offer insight on the specific craft of the actor, and the relationship between movement, imagination and the 'need' to move.
The Actor and His Body is also a practical manual for keeping the actor's body physically and expressively responsive. In addition, there are a range of movement exercises, illuminated by her exquisite line drawings, and complete weekly programme which concentrates on movement practice within different timescales.
This fourth edition features the original foreword by Michael Elliot as well as a new introduction by Ayse Tashkiran, contemporary movement director and Senior Lecturer at the Royal Central School of Speech and Drama, which contextualises Pisk's work.
« A propos de ce titre » peut appartenir à une autre édition de cet ouvrage.