Hardcover. 4to. Damiani / Akron Art Museum, Akron, OH. 2010. 127 pgs. Illustrated with Color Plates. Third Printing. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. No longer the Motor City of boom-time industry, the city of Detroit has fallen into an incredible state of dilapidation since the decline of the American auto industry after the Second World War. Today, whole sections of the city resemble a war zone, its once-spectacular architectural grandeur reduced to vacant ruins. In Detroit Disassembled, photographer Andrew Moore records a territory in which the ordinary flow of time-or the forward march of the assembly line-appears to have been thrown spectacularly into reverse. For Moore, who throughout his career has been drawn to all that contradicts or seems to E-109; 14 X 0.8 X 11 inches; 136 pages.

N� de r�f. du vendeur 67993

Contacter le vendeur

Signaler cet article

D�tails bibliographiques

Titre

Andrew Moore Detroit Disassembled

�diteur

Damiani/Akron Art Museum, E-109

Date de parution

2010

Langue

anglais

ISBN � 10 chiffres

8862081189

ISBN � 13 chiffres

9788862081184

Reliure

Hardcover

�dition

First Edition; First Printing.

�tat de l'article

Very Good

Catalogues du vendeur

A propos de ce titre

Synopsis

No longer the Motor City of boom-time industry, the city of Detroit has fallen into an incredible state of dilapidation since the decline of the American auto industry after the Second World War. Today, whole sections of the city resemble a war zone, its once-spectacular architectural grandeur reduced to vacant ruins. In "Detroit Disassembled," photographer Andrew Moore records a territory in which the ordinary flow of time-or the forward march of the assembly line-appears to have been thrown spectacularly into reverse. For Moore, who throughout his career has been drawn to all that contradicts or seems to threaten America's postwar self-image (his previous projects include portraits of Cuba and Soviet Russia), Detroit's decline affirms the carnivorousness of our earth, as it seeps into and overruns the buildings of a city that once epitomized humankind's supposed supremacy. In "Detroit Disassembled," Moore locates both dignity and tragedy in the city's decline, among postapocalyptic landscapes of windowless grand hotels, vast barren factory floors, collapsing churches, offices carpeted in velvety moss and entire blocks reclaimed by prairie grass. Beyond their jawdropping content, Moore's photographs inevitably raise the uneasy question of the long-term future of a country in which such extreme degradation can exist unchecked.

� propos de l?auteur

Andrew Moore was born in Old Greenwich, Connecticut, in 1957 and lives in New York. His large format photography has been widely exhibited and is represented in numerous museum collections including the Whitney Museum of American Art, Los Angeles County Museum of Art, San Francisco Museum of Modern Art, Canadian Centre for Architecture, and Israel Museum. He has received grants from the National Endowment for the Humanities, New York State Council on the Arts, and Judith Rothschild Foundation. His film How to Draw a Bunny won a Special Jury Prize at the Sundance Film Festival. Moore's previous books include Inside Havana (2002), Governors Island (2005), and Russia: Beyond Utopia (2005). Philip Levine was born in Detroit, Michigan, in 1928 and divides his Lime between New York and California. He is the author of seventeen books of poetry including The Simple Truth (1994), which won the Pulitzer Prize; What Work Is (1991), which won the National Book Award; New Selected Poems (1991); Ashes: Poems New and Old (1979), which received the National Book Critics Circle Award and the National Book Award for Poetry; and 7 Years From Somewhere (1979), which won the National Book Critics Circle Award.

Les informations fournies dans la section � A propos du livre � peuvent faire r�f�rence � une autre �dition de ce titre.

Description de la librairie

I have been selling books for more than 20 years. I am a specialist in out of print and rare academic titles, art, history, military history and what I like to loosely describe as "Old and Interesting." Here is a helpful list of book terms that I use: Terms for Describing Condition These terms apply to books, dust jackets and magazines. As New is when the book is in the same immaculate condition in which it was published. There are no defects and the dust jacket, if issued with one, is perfect. Fine approaches the condition of "As New," but without being crisp. There may be minor defects, which are noted. Very Good describes a book that does show some small signs of wear but no tears on either binding or paper. Any defects are noted. Good describes the average used and worn book that has all pages or leaves present. All defects are noted. Fair is a well-worn book that has complete text pages but may lack endpapers, half title page, etc. All defects are noted. Poor describes a book that is sufficiently worn so that its only merit is as a reading copy. This book may be soiled, scuffed, stained or spotted and may have loose joints, hinges, pages, etc. All defects are noted. Ex-library books are always noted as such regardless of condition. Book Club Editions (BCE) are always noted as such regardless of condition. Boards are the actual hardcover material of the cover, front and back. Bookplate is usually a square illustrated sticker on which an owner writes his or her name, or on which the author has signed his or her name. Bumped refers to the bent or rounded corners of the boards. Browning or tanning refers to brown or tan looking pages or page edges that appear in some older books. Chip is a tiny piece missing from the edge of the dust jacket. Closed tear is a tiny rip in the dust jacket, but no material is missing (as in a chip). It can be "shut" and protected from further tearing with a Mylar cover. Cocked means the book is no longer square. If laid down, the book appears to be pushed (slanted) forward or backward from the spine. Creasing is where the dust jacket or pages have been bent, and then returned to its original state. Dampstain is a tan or gray stain resulting from water or other liquid damage. End papers or pastedowns are the sheets of paper pasted onto the inner covers, joining the book block to the covers. One side of the sheet is pasted to the inside cover, the other is left free (see FFEP). FFEP stands for front free-endpaper. This is the first page of any book. Though usually blank, it is a common place for an inscription. Foxing is the term used for the rust colored spots which occur on paper. This is the result of oxidation of both organic and iron impurities left behind during the paper making process. Front, top or bottom edge: These are the outside page edges. Loose is what happens to a book which has been read several times. The cover easily flaps open and the pages do not return to a tight condition. Heal or tail is the bottom of the spine. Head is the top of the spine. Mass-Market paperback is the most common paperback book, about four inches wide and seven inches high. Seen most often as "popular" fiction, science fiction and romance books. Mylar cover is the clear film that most fine bookshops use to cover and protect the dust jackets. Spine separation occurs at the head (top) of the spine where the fingers grab and pull the book from the shelf. After repeated pulling, the glue holding the outer spine board to the inner binding separates. Sunned is the fading of paper or binding as a result of sun exposure. Trade paperback is a softcover book which is generally large in size and made of better quality materials than a Mass-Market paperback. Wraps are the outer covers of a softcover (paperback) book or pamphlet.

Visitez la page d�accueil du vendeur

Informations commerciales relatives au vendeur

Last Exit Books
VA, U.S.A.

Conditions de vente et de livraison

Conditions g�n�rales de vente

All items described to the best of my ability.

Returns are considered if the item is sent within 14 days of receipt with an
email explanation sent to me first or if the item fails to match the description
or if there was damage to the order. All refunds processed upon the receipt of
the book.

If you send a check please be aware that I will ship the book only when the
check clears.

If you are sending a money order from overseas please make sure that it is an
INTERNATIONAL MONEY ORDER, otherwise a...

Pour plus d'information

Droit de r�tractation

Conditions d'exp�dition

Orders usually ship within 2 business days. Shipping costs are based on books weighing 2.2 LB, or 1 KG. If your book order is heavy or oversized, I will contact you to let you know that a shipping surcharge might be required.

Every book that is shipped domestically ships with a USPS tracking number. If you need the number, please email me.

Most books going overseas (unless it is 4to or larger) are shipped via USPS Global Priority Mail.

Frais d?exp�dition � l?int�rieur de ce pays�: Etats-Unis

Frais d?exp�dition � l?int�rieur de ce pays�: Etats-Unis
Quantit� command�e	5 � 14 jours ouvr�s	3 � 6 jours ouvr�s
Premier article	EUR 5.96	EUR 11.94

Les d�lais de livraison sont fix�s par les vendeurs et varient en fonction du transporteur et du lieu. Les commandes transitant par les douanes peuvent �tre retard�es et les acheteurs sont responsables de tous les droits ou frais associ�s. Les vendeurs peuvent vous contacter au sujet de frais suppl�mentaires afin de couvrir toute augmentation des co�ts d'exp�dition de vos articles.