Andy Warhol. Retrospective

Bastian, Heiner. (essays by Kirk Varnedoe, Donna De Salvo, Peter-Klaus Schuster, Antje Dallman)

ISBN 10: 1854374109 / ISBN 13: 9781854374103

Edité par Tate Publishing., London., 2001

A propos de cet article

319 pages with 239 colour plates of his work and other photographic illustrations, large heavy gate-fold card covers, quarto. 2001. *Published to detail the work being shown in the 2001-2002 exhibition in London with the exhibits depicted in full colour.

N° de réf. du vendeur 9796

Détails bibliographiques

• Titre: Andy Warhol. Retrospective
• Éditeur: Tate Publishing., London.
• Date de parution: 2001
• Langue: anglais
• ISBN à 10 chiffres: 1854374109
• ISBN à 13 chiffres: 9781854374103
• Reliure: Soft cover
• Illustrateur: Warhol, Andy
• Édition: 1st Edition
• État de l'article: Near Fine
• Catalogues du vendeur:
  • Art.

A propos de ce titre

Synopsis

This volume is published to accompany a major European retrospective of the work of Andy Warhol, presenting him as the most significant chronicler of the second half of the 20th century. The collection of over 220 images show how his work reflected and commented on themes in American society that were also becoming international: consumerism, mass-production, celebrity, death and disaster. In the four essays Warhol scholars propose new ways of approaching the art of this enigmatic figure. Heiner Bastian, drawing on his friendship with Warhol, traces his development from commercial graphic artist to purely autonomous artist with international status. He extends the concept of Classic Modernism to almost the end of the 20th century and shows Warhol to be a deeply moral artist. Kirk Varnedoe examines the significance of Warhol's first exhibition of 1962 of the series of "Campbells Soup Cans", exploring the themes of the multiple. Donna De Salvo takes the concept of the "afterimage" in Warhol's work as a starting point for considering his painterly strategy. She shows how Warhol had a very subtle awareness of the surface in contemporary culture, tracing this back to his work for advertising agencies. Peter-Claus Schuster makes a resonant comparison between the work of Warhol and Goya, both depicted atrocity. Warhol's " Death and Disaster" sequences can be seen not as depictions of a callous, unjust society, but rather as a critique of the media message and the resulting desensitization of public consciousness. Ultimately, however, he warns against any simplistic reductions and poposes Andy Warhol to be a complex mixture of victim, superstar and redeemer.