Angels, demons and savages: Pollock, Ossorio, Dubuffet / Klaus Ottmann, Dorothy Kosinski; introductions by Dorothy Kosinski and Terrie Sultan; with essays by Klaus Ottmann and Alicia G. Longwell; a text by Jean Dubuffet; and contributions by Elizabeth Steele, Sylvia Albro, Scott Homolka, and Chantal Bernicky

Ottmann, Klaus; Kosinski, Dorothy M

Edité par New Haven: Yale University Press; The Phillips Collection; The Parrish Art Museum, 2013

A propos de cet article

Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in publisher's protective wrapping. Physical description; ix, 145 pages: illustrations (chiefly colour); 29 cm. Notes; Catalogue accompanies exhibition held 9 February - 12 May 2013, The Phillips Collection, Washington; 21 July - 27 Ocotber 2013, The Parrish Art Museum, Southampton. Translated from French. Includes bibliographical references. Contents; Angles, demons and savages / Klaus Ottmann -- Pollock, Ossorio, Dubuffet, 1948-1952 / Alicia G. Longwell -- The initiatory paintings of Alfonso Ossorio / Jean Dubuffet; translated from the French by Richard Howard -- Materials and techniques / Elizabeth Steele, Sylvia Albro, Scott Homolka, Chantal Bernicky. Summary; The artistic relationships among Jackson Pollock (1912-1956), Alfonso Ossorio (1916-1990), and Jean Dubuffet (1901-1985) strongly influenced the development of postwar art. Ossorio, the central figure in the trio, was an early champion of Pollock and the close friend of Dubuffet, whose radically anticultural Art Brut collection was prominently displayed at Ossorio's Hamptons estate. Dubuffet's admiration for Ossorio is evident in his 1951 essay on the artist, published here for the first time in English. Angels, Demons, and Savages reveals previously unrecognized technical and thematic affinities in the artists' work, from Dubuffet's "raw," unconventional style to Ossorio's use of Christian iconography and grotesque elements to Pollock's emphasis on medium and gestural force. Complete with two original essays and a conservation study, this groundbreaking catalogue shows how the three artists shaped the aesthetic on both sides of the Atlantic through their exchange of ideas and techniques. Review: "A comprehensive account of the period when Paris Art transplanted to New York." -Publishers Weekly. Subjects; Ossorio, Alfonso 1916-1990 - Exhibitions. Pollock, Jackson 1912-1956 - Exhibitions. Dubuffet, Jean 1901-1985 - Exhibitions. Abstract Expressionism. Art styles: c 1960 -. ART / History / Contemporary (1945-). ART / Individual Artists / General. Ossorio, Alfonso - Friends and associates. Pollock, Jackson - Friends and associates. Dubuffet, Jean - Friends and associates. 1.2 Kg.

N° de réf. du vendeur 236980

Détails bibliographiques

• Titre: Angels, demons and savages: Pollock, Ossorio, Dubuffet / Klaus Ottmann, Dorothy Kosinski; introductions by Dorothy Kosinski and Terrie Sultan; with essays by Klaus Ottmann and Alicia G. Longwell; a text by Jean Dubuffet; and contributions by Elizabeth Steele, Sylvia Albro, Scott Homolka, and Chantal Bernicky
• Éditeur: New Haven: Yale University Press; The Phillips Collection; The Parrish Art Museum
• Date de parution: 2013
• Reliure: Couverture rigide
• Édition: 1st edition.
• Poids: 1,2 kilogramme