The Decorated Style. Architecture and Ornament 1240-1360.

Coldstream, Nicola.

ISBN 10: 0714117234 / ISBN 13: 9780714117232

Edité par British Museum Press., London, 1994

A propos de cet article

208pp, index, bibliography, 11 col & 120 bw ills. Or crimson cloth in jacket. As new. The English Decorated style flourished from the mid-13th century to the mid-14th century. Usually portrayed just as a style of architecture, it is better understood as a fusion of architecture and ornament- paint, stained glass, and sculpture-to create special effects. The style was one of display primarily used in churches, but secular elements- heraldry and chivalry- were important in its appearance. This book examines it not only as an architectural style, but in the context of contemporary spiritual and secular attitudes and liturgical and political developments. Also discusses the complementary roles of craftsmen and patrons. Size: Sml 4to.

N° de réf. du vendeur 003148

Détails bibliographiques

• Titre: The Decorated Style. Architecture and Ornament 1240-1360.
• Éditeur: British Museum Press., London
• Date de parution: 1994
• Langue: anglais
• ISBN à 10 chiffres: 0714117234
• ISBN à 13 chiffres: 9780714117232
• Reliure: Hard Cover
• Édition: First Edition.
• État de l'article: Fine
• État de la jaquette: Fine
• Catalogues du vendeur:
  • Art and the Arts

A propos de ce titre

Synopsis

English Decorated Style flourished from the mid-13th-century in the reign of Henry III to the mid-14th under his great grandson Edward III. Although it is usually portrayed purely as a style of architecture, this style is better understood as a fusion of architecture and ornament - paint, stained glass and sculpture - which creates specific effects. The style was one of display, created primarily for churches and the Christian message of salvation, but secular elements - chivalry and heraldry - were important in its appearance. Intended to enable a congregation to realise the mystical experience of God and the saints, Decorated is illusionistic and transcendental, representing the kingdom of heaven in an earthly setting. As many of its ornamental features were destroyed in the Reformation and later, the style can be difficult to comprehend. This book examines the style not only as an architectural phenomenon, but in the context of contemporary spiritual and secular attitudes and liturgical and political developments. It also discusses the complementary roles of craftsmen and patrons.