Driving Visions : Exploring the Road Movie

Laderman, David

ISBN 10: 0292747322 / ISBN 13: 9780292747326

Edité par University of Texas Press, Austin:, 2002

A propos de cet article

Austin:: University of Texas Press, 2002. 6" wide by 9" tall. A bright, shiny, clean, copy. The spine is tight, square, flat, and uncreased. No owner's name or bookplate. Pages are fresh and crisp. No underlining. No highlighting. No margin notes. Illustrated with numerous photographs and movie stills. List of chapter notes/sources. Bibliography. Index. Bound in the original pictorial wraps. From the rear cover: "This is a superbly conceived, thoughtfully organized, and well-written study of a subject -- the 'road movie' -- that has lacked anything close to a coherent, book-length overview. It will make an ideal course text and should also have a wide appeal to non-academic readers.' -- Scott Simmon, author of THE FILMS OF D. W. GRIFFITH and KING VIDOR, AMERICAN. From the visionary rebellion of EASY RIDER to the reinvention of home in THE STRAIGHT STORY, the road movie has emerged as a significant film genre since the late 1960s, able to cut across a wide variety of film styles and contexts. Yet, within the variety, a certain generic core remains constant: the journey as cultural critique, as exploration beyond society and within oneself. This book traces the generic evolution of the road movie with respect to its diverse presentations, emphasizing it as an 'independent genre' that attempts to incorporate marginality and subversion on many levels. David Laderman begins by identifying the road movie's defining features and by establishing the literary, classical Hollywood, and 1950s highway culture antecedents that formatively influenced it. He then traces the historical and aesthetic evolution of the road movie decade by decade through detailed and lively discussions of key films. Laderman concludes with a look at the European road movie, from the late 1950s auteurs through Godard and Wenders, and at compelling feminist road movies of the 1980s and 1990s." . First Edition 2002 (so stated). Soft Cover. Fine condition. (xii), 322pp.

N° de réf. du vendeur 007884

Détails bibliographiques

• Titre: Driving Visions : Exploring the Road Movie
• Éditeur: University of Texas Press, Austin:
• Date de parution: 2002
• Langue: anglais
• ISBN à 10 chiffres: 0292747322
• ISBN à 13 chiffres: 9780292747326
• Reliure: Paperback
• Édition: First Edition 2002 (so stated).
• État de l'article: Fine condition
• Catalogues du vendeur:
  • Entertainers / Hollywood / Broadway / TV

A propos de ce titre

Synopsis

From the visionary rebellion of Easy Rider to the reinvention of home in The Straight Story, the road movie has emerged as a significant film genre since the late 1960s, able to cut across a wide variety of film styles and contexts. Yet, within the variety, a certain generic core remains constant: the journey as cultural critique, as exploration beyond society and within oneself.

This book traces the generic evolution of the road movie with respect to its diverse presentations, emphasizing it as an "independent genre" that attempts to incorporate marginality and subversion on many levels. David Laderman begins by identifying the road movie's defining features and by establishing the literary, classical Hollywood, and 1950s highway culture antecedents that formatively influenced it. He then traces the historical and aesthetic evolution of the road movie decade by decade through detailed and lively discussions of key films. Laderman concludes with a look at the European road movie, from the late 1950s auteurs through Godard and Wenders, and at compelling feminist road movies of the 1980s and 1990s.

À propos de l?auteur

David Laderman is Associate Professor of Film at the College of San Mateo, as well as a lecturer in the Cinema Department at San Francisco State University.