Vendeur
Better World Books, Mishawaka, IN, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
Vendeur AbeBooks depuis 3 août 2006
Used book that is in almost brand-new condition. N° de réf. du vendeur 15843897-6
From the visionary rebellion of Easy Rider to the reinvention of home in The Straight Story, the road movie has emerged as a significant film genre since the late 1960s, able to cut across a wide variety of film styles and contexts. Yet, within the variety, a certain generic core remains constant: the journey as cultural critique, as exploration beyond society and within oneself.
This book traces the generic evolution of the road movie with respect to its diverse presentations, emphasizing it as an "independent genre" that attempts to incorporate marginality and subversion on many levels. David Laderman begins by identifying the road movie's defining features and by establishing the literary, classical Hollywood, and 1950s highway culture antecedents that formatively influenced it. He then traces the historical and aesthetic evolution of the road movie decade by decade through detailed and lively discussions of key films. Laderman concludes with a look at the European road movie, from the late 1950s auteurs through Godard and Wenders, and at compelling feminist road movies of the 1980s and 1990s.
À propos de l?auteur: David Laderman is Associate Professor of Film at the College of San Mateo, as well as a lecturer in the Cinema Department at San Francisco State University.
Titre : Driving Visions : Exploring the Road Movie
Éditeur : University of Texas Press
Date d'édition : 2002
Reliure : Couverture souple
Etat : As New
Edition : 1st Edition.
Vendeur : Better World Books: West, Reno, NV, Etats-Unis
Etat : Good. 1st Edition. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. N° de réf. du vendeur 9104248-6
Quantité disponible : 1 disponible(s)
Vendeur : Textbooks_Source, Columbia, MO, Etats-Unis
paperback. Etat : Good. 1st Edition. Ships same day or next business day! UPS shipping available (Priority Mail for AK/HI/APO/PO Boxes). Used sticker and some writing and/or highlighting. Used books may not include working access code. Used books will not include dust jackets. N° de réf. du vendeur 000602087U
Quantité disponible : 9 disponible(s)
Vendeur : About Books, Henderson, NV, Etats-Unis
Paperback. Etat : Fine condition. First Edition 2002 (so stated). Austin:: University of Texas Press, 2002. 6" wide by 9" tall. A bright, shiny, clean, copy. The spine is tight, square, flat, and uncreased. No owner's name or bookplate. Pages are fresh and crisp. No underlining. No highlighting. No margin notes. Illustrated with numerous photographs and movie stills. List of chapter notes/sources. Bibliography. Index. Bound in the original pictorial wraps. From the rear cover: "This is a superbly conceived, thoughtfully organized, and well-written study of a subject -- the 'road movie' -- that has lacked anything close to a coherent, book-length overview. It will make an ideal course text and should also have a wide appeal to non-academic readers.' -- Scott Simmon, author of THE FILMS OF D. W. GRIFFITH and KING VIDOR, AMERICAN. From the visionary rebellion of EASY RIDER to the reinvention of home in THE STRAIGHT STORY, the road movie has emerged as a significant film genre since the late 1960s, able to cut across a wide variety of film styles and contexts. Yet, within the variety, a certain generic core remains constant: the journey as cultural critique, as exploration beyond society and within oneself. This book traces the generic evolution of the road movie with respect to its diverse presentations, emphasizing it as an 'independent genre' that attempts to incorporate marginality and subversion on many levels. David Laderman begins by identifying the road movie's defining features and by establishing the literary, classical Hollywood, and 1950s highway culture antecedents that formatively influenced it. He then traces the historical and aesthetic evolution of the road movie decade by decade through detailed and lively discussions of key films. Laderman concludes with a look at the European road movie, from the late 1950s auteurs through Godard and Wenders, and at compelling feminist road movies of the 1980s and 1990s." . First Edition 2002 (so stated). Soft Cover. Fine condition. (xii), 322pp. N° de réf. du vendeur 007884
Quantité disponible : 1 disponible(s)
Vendeur : Palimpsest Scholarly Books & Services, Brooktondale, NY, Etats-Unis
Soft cover. Etat : New. 1st Edition. Softcover volume, measuring approximately 6.25" x 9.25", is new. 322 pages. "From the visionary rebellion of "Easy Rider" to the reinvention of home in "The Straight Story," the road movie has emerged as a significant film genre since the late 1960s, able to cut across a wide variety of film styles and contexts. Yet, within the variety, a certain generic core remains constant: the journey as cultural critique, as exploration beyond society and within oneself. This book traces the generic evolution of the road movie with respect to its diverse presentations, emphasizing it as an "independent genre" that attempts to incorporate marginality and subversion on many levels. David Laderman begins by identifying the road movie's defining features and by establishing the literary, classical Hollywood, and 1950s highway culture antecedents that formatively influenced it. He then traces the historical and aesthetic evolution of the road movie decade by decade through detailed and lively discussions of key films. Laderman concludes with a look at the European road movie, from the late 1950s auteurs through Godard and Wenders, and at compelling feminist road movies of the 1980s and 1990s.". N° de réf. du vendeur ABE-1652848235611
Quantité disponible : 1 disponible(s)
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. 2002. 1st Edition. paperback. . . . . . N° de réf. du vendeur V9780292747326
Quantité disponible : 14 disponible(s)