Dust
Langue : anglais
Edité par Ace, 2010
Série : Livre 1 sur 3 - A Resurgam Novel
- Éd. originale
- Livre relié
- Occasion

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Very Good Condition, First Edition, 1st Printing, Dust Cover in Fine Condition, no writing or torn pages, Excellent Customer Service Provided.
N° de réf. du vendeur ABE-1785882850498
- Titre
- Dust
- Auteur
- Turner, Joan Frances
- Éditeur
- Ace
- Année de publication
- 2010
- État de l'article
- Assez bon
- Jaquette
- Bon
- Reliure
- Couverture rigide
- Langue
- anglais
- ISBN à 10 chiffres
- 0441019285
- ISBN à 13 chiffres
- 9780441019281
- Édition
- Edition originale
- Impression
- 1er tirage
- Poids de l'article
- 635 grammes
- Dimensions
- 15,88 centimètres de largeur par 23,5 centimètres de hauteur par 3,18 centimètres de profondeur
- Série
- Livre 1 sur 3: A Resurgam Novel
« Synopsis » peut appartenir à une autre édition de cet ouvrage.
Extrait
Nine years ago, I was alive. Nine years ago, Jessica Anne Porterwas fifteen and lived in a nice house in the very wellguardedtown of Lepingville, an hour out of Chicago, and gotokay grades and wanted to do something someday with animalrights. Her hair was auburn dyed something brighter, Iforget what. I don't see bright colors well anymore. She had amother, father, a sister in her first year of college, a brother inhis last—neither of them could wait to get out of the house,they barely spoke to her parents. And her parents barely spoketo each other. Then one day they were in a rare good moodand took her out to dinner, and then there was the Toyota ridehome.
Dad took the back roads home, the scenic tour. You weren'tsupposed to do that, you were supposed to stay on the mainhighway with the blindingly sulfurous roadside lights (the"environmental hazards," as we called them, you never put itmore directly than that, supposedly hated bright light) andthe toll booths. Each booth had a FUNDING COMMUNITY SAFETYsign so you wouldn't throw a tantrum as you forked over yourmoney, a sentry bearing an emergency flamethrower. See?Safety. Suck on that, you suburban cheapskates. The small,cramped booths could serve as safe houses in a pinch, if a"hazard" somehow surprised you on the road. They had to letyou in, that was the law. But my dad had paid four tolls ineighteen miles just to get to the restaurant and my mom complainedthe road lights gave her headaches and it was a prettynight and for once nobody was screaming at each other sowhy not take the old road, the long way home? Rest your eyes.Have a bit of peace and quiet.
It was two miles from the county line, where the formerindustrial park gave way to beachy dune grass and rows ofhalf-built condos sat empty along the roadside, silhouetted inweirdly dim, soft white road lights. The old-fashioned kind.This was after they finally passed the moratorium on residentialbuilding in rural areas, the one the developers held up aslong as they could, until the "hazards" somehow got into thatgated community near the Taltree Preserve; whose woods,fields and ex-farmlands these are, even they then managed tofigure out. Nothing hazardous that night, though, just thedark sky and the low fuzzy whiteness and everything peaceful and sleepy until suddenly there were two blinding headlightsbearing down on us from the wrong side of the road, howlingbrakes and screaming and then, like the lost breath from ahard stomach punch, everything gathered into a fist andstruck, and then stopped.
I remember a pickup truck, yellow, gone faded saffronunder the road lights. And a woman's voice, not my mother's,moaning over and over like some nauseated prayer while I layon the pavement dying, Oh Christ, oh God, oh Christ oh Christoh Christ oh my God and I thought, Lady, it's a little late forthat now isn't it? Her voice was washed out, staticky with thebuzz of a million angry flies eating her up, and the buzzingbecame louder and louder and there were new flashing lights,red ones, but it was too late, I was all eaten up, and I closedmy eyes and fell asleep for a long time.
Then, days or weeks or months after the funeral, Iwoke up.
In old horror movies where someone gets buried alive,there's always that moment where they blink into the darkness,pat and grope around the coffin walls and let out thatbig oxygen-wasting scream as the screen goes black. Me,though, I knew I was dead, really dead and not put away bymistake, and another giant fist was gripping my brain andnerves and shoving away shock, surprise, bewilderment, onlyletting me think one thing: Out. And I knew, with absolutecertainty, that I would break free. I didn't seem to need airanymore, so I could take my time.
I tried putting my hands out just like in the movies, to feel the force and weight I was fighting—six feet under, that's alot of piled-up dirt—and that's how I found out my right armwas shot to pieces. The left could rattle the box a bit, but notenough. I raised my legs, each movement a good long achystretch after the best nap in the world, and pressed my palm,knees, feet against the white satiny padding overhead. Felt arattle. Pressed harder. Heard a creak.
Then I kicked.
The first blow tore through the satin lining and slammedinto the wood without a moment's pain; the second splinteredit, cracked it, and I kicked and kneed and punched until I hitshards of timber and musty air and then, so hard my wholebody rattled, a solid concrete ceiling overhead. A grave liner,Teresa explained to me later, another box for my box, but I feltreal panic at the sight and had to make myself keep kicking,harder, harder, and that awful concrete became fine whitedust that gave way to an avalanche of dirt. I was gulping downmouthfuls of mud and I was sad for my shirt, they'd buriedme in my favorite T-shirt that read ANIMALS ARE NOT OURS TO EAT, WEAR, OR EXPERIMENT ON and now it was plastered mutewith damp black dirt, but I kept swimming one-handed, kicking,tunneling upward through a crumbling sea. The moisttides of soil were endless, then I felt something finer andpowdery-dry and my good hand found thin cords of grassroots,poked through the green carpet-weave and ripped along jagged slit open to the air. The air—I didn't need it,maybe, but as I lay there drained and exhausted and felt itcool on my dirt-caked back I almost cried.
The sunset was a needle-thrust in my eyes. I crouched inmy own grave hole, retching up pebbles and earth, and gaspedat the smells of the world: the turned soil, the broken grassstems I clutched in my fist, graveside flowers old and new, thetrees and plants and the thousands of people and animalsthat'd left scents behind traversing the cemetery grounds. Myown dead, dirty stink, and it still didn't shock me, I was toodistracted by the other million fits and starts of odor floodingmy nostrils—this was how to experience the world, this noteof mushrooms sprouting in damp grass, this trace of old rubberfrom a sneaker sole, compared to this banquet eyes andears told you nothing! My head pounded, painlessly, like agreat throbbing vein: the hard pulsations of my new brain, myundead brain, but I didn't know that yet. I reached up, likesomeone would be there to lift me, and touched somethingrough and cold. A tombstone, my tombstone: August 14, 2001.I died on August 14, 2001, but what day was it now? Wherewas I now? Where would I go, where will I sleep, do I have tosleep—
I smelled it before I saw it, darting quick and confusedacross the grass. Rabbit. Fresh, living rabbit.
Every other scent and smell in the world instantly vanished.Hunger rattled my skull and shook my bones—porkchops, hamburgers, steaks rare and bloody, everything thatwould have made me vomit when I was alive but I had to havethem now, I had to have them raw and oozing juice and if Ididn't get that rabbit, if I didn't kill it and devour it now, I hadnothing to live for at all. I staggered to my feet and stood there trembling, legs stiff and exhausted, but before I couldeven try to run for my food something bloated and rotten inthe shape of a man, his dark suit jacket torn and spilling fatlittle white grubs, crawled on all fours from the pile of dirt thathad been his grave. The grave next to mine. The rabbit hadhalted too soon, crouching frozen with fear by our collectivetombstone, and as I watched it spasm and kick against death,as I watched my father sink long teeth into its skull and spitout soft tufts of brown fur, I was small again and only wantedto scream and cry, Daddy, why did you take my toy?
Something crawled from behind a yew tree, feverish andfast. A woman in the rags of my mother's favorite blue sweaterfell on him, grabbing the rabbit's meaty hindquarters for herself,and held on tight and chewed no matter how hard hepunched and kicked, so hard she sobbed between bites:Whap, cry, swallow, whap, cry, swallow.
But, Daddy, that's my toy.
They rolled on the ground, snarling with rage.
And you. What are you doing in my mom's favorite sweater?
But they'd dropped the rabbit carcass, fighting that hard,and I was so hungry and it was so good and I knew the answersto my questions, I already knew.
A garter snake slithered over my mother's foot and theyboth went crazy, grabbing fistfuls of grass where it had shotout of reach. Arguing again, fighting forever, only with soundsnow and no words—screeching violins, deafening poundingdrums. I was gone already, walking away. I never saw themagain.
I scraped a deep, gouging ridge in my back, crawlingthrough a gap I'd torn in the cemetery fence, and felt only apaper cut. A pinprick. I ran my tongue along my teeth andalmost screamed; the fence's barbed wire was nothing, butmy teeth had all grown long and blade-edged and when Ipulled my hand from my mouth, there was something thickand syrupy from the new cut on my tongue and fingers, almostlike blood but black. Coffin liquor, Florian told me later,my own putrefaction flowing through my veins. My hand wasswollen and livid, the veins and arteries gone dark.
I could barely walk. I staggered, tried crawling like mymom had but with the bad arm that wasn't any better. CALUMETCOUNTY MEMORIAL PARK, read the sign; that told me I wasin the middle of nowhere, if you insist on burying instead ofburning they make you do it far away from everything anddon't come crying to us if the funeral procession gets attacked,but where this particular nowhere was I had no idea. Otherthan me and that garter snake, no sign of life. I crawled andstumbled and crawled again, pushing through grass, gravel,leaves and underbrush. Snapping branches scared me, a singlecar speeding by terrified me; it'd find me and run medown if it got a chance. I didn't feel like a monster but I knewI looked like one. I cried from fear, wept from hunger, blacksyrupy tears splattering my muddy shirt.
I kept walking, deep into the countryside, no company butthe animals I was too scared to stop and hunt. What the hellwas I looking for? My throbbing skull started pounding inearnest, yielding to real pain, and my ears were flooded with a sudden off-kilter symphony of screeches, buzzes, trumpetsquawks, strings sliced shrilly in half. The buzzing like flies,that sound I remembered from dying. I shook my head to getrid of it, like real flies stuck in my head, and it grew louderand sharper and became muffled disjointed words:
—another one—grave—Joe—see—
I started shaking. Never mind what had happened to meand my parents, never mind the guard posts along the highwaysand every Lepingville entrance and exit, never mind allthe school safety drills and town committee handouts aboutthe others, the "hazards," the reasons you either burn like aGood Responsible Person or you get buried behind barbedwire in No Humans' Land—never mind all that because itcouldn't be true, I couldn't be true—
—circles—follow—Circles, dizzy and hunger-sick around the same clumpof trees, and I couldn't find those voices or escape them but Itried to follow them not knowing why: hot-hotter-COLD—turn left—warmer-warmer-COLD—not so far left—so hungryhotter-COLD—straight ahead—too quiet—turn around. Myguts twisted hot-hotter—ON FIRE with emptiness, no moremeat, no nothing. Voices faded, returned in tinny crashes ofmusic, then vanished. I was on the worst ice-cream truck chasein the history of the world, but if I kept going the voices wouldfind me, they'd tell me where to go and feed me and takeme in—but then I took a wrong turn and it was cold-colderabsolutezero, every sound gone. The clouds overhead seemed to burst and collapse like bubbles, inky night pouring in as Istood there covered in mud and black blood. All alone.
I doubled over, threw my head back and screamed. Frankenstein'smonster, roaring, and it felt so good that I crouchedin the leaves and shouted louder, ripping myself inside outwith hunger and fear. Something small and furry shot pastme, terrified of the sounds I was making, and I could havechased it but my head pounded and throbbed and everythingbefore my eyes melted, sliding off my plane of vision as I succumbedto the vertigo. A spoon heated seething red scrapedmy gut away piece by piece, slow starvation cauterizing myinsides, and I pounded my forehead, my good fist, against theground and wailed.
I don't know how long I lay there. Silence, my horriblecrying met with utter silence, and then I felt what I thoughtwas an insect brushing my face. No, not an insect—soft swollenfingers. A stench pressed in on all sides, I was fresh andsweet in comparison, but I was too tired to move and itcouldn't mean anything. I was all alone.
The fingers touched my ruined right arm, lifted it. It fellback with a soft thud. Chit-chit, I heard, a strange wet-dryclick like someone chewing a mouthful of popcorn kernels. Ipulled myself upright, and looked.
The whole right side of his face was smashed in, concaveforehead and crushed cheekbone and one eye bugging precariouslyfrom a broken socket. He was purplish-black, anddirty white: Maggots seethed from every pore and crawled across him in excited wriggly piles, blowflies waving andblooming and wilting, the bits of bone they'd scraped cleanglinting like tiny mosaic tiles. Scraps of jeans and a leatherjacket clung to the sticky seething mess of his flesh. He wasbig, big-shouldered, a good foot taller; chit-chitter, he went,even standing still.
Behind him were more stinking, seething masses shapedlike people, their skin in the thin moonlight every colorbruises go: some barely rotten at all, one shriveled and bonyas an unwrapped mummy, one so bloated and gas-blackenedit scared me. Standing right behind Bug Man was a halfskeletonwith wild dark hair and silver rings clinking on herfinger bones, eyes bulging nearly out of her head as she sizedme up, grinned and let out a loud, belching guffaw. They allgroaned with laughter. Their teeth looked the way mine felt,long and jagged and dull gray like tarnished blades.
I can't explain it. You can be a monster yourself and stillscream, puke, faint seeing what you are staring back at you,but none of it seemed monstrous. It was pretty, almost, theweirdest kind of pretty, seeing how they were all young or oldin their own inhuman way, how slowly and methodically thebugs took care of everything, how clean bones and pulsatingbrains were underneath the skin. How natural it all was. Butthen those teeth, so dull and dirty but a glint at the tips, if youlooked closely, the flash of a needle that could crunch throughbones and penetrate to the marrow. Under their laughter athrumming sound, not quite musical but not quite merenoise, and the longer I stared the more the shapeless sounds took on outlines, defined themselves, by whom I was lookingat: That one there, with the bleary laugh, a trumpet; the onewith the thin sad face, banjo; the black-haired scarecrow withthe rings, shrill strings. Bug Man's noise was louder and strongerthan the rest, so I mistook him for the leader. Electricguitar, that would blast you flat to the ground if you got tooclose.
I reached out and touched his face. Chit-chit, said thebugs. He grunted, almost belched the crude shape of words,a caveman with a rotted tongue—but soon as all that hrruhhrruh-mmmuhhhhh shot through my head it becam...
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