Faces in the Crowd: The Modern Figure and Avant-Garde Realism

Blazwick, Iwona; Christov-Bakargiev, Carolyn

ISBN 10: 8876240691 / ISBN 13: 9788876240690

Edité par Skira, Milan, Italy, 2005

A propos de cet article

Skira, 2005. Paperback. Condition: Near Fine. 384 pp. colour + b/w illus.spine sl. clean copy.

N° de réf. du vendeur 006879

Détails bibliographiques

• Titre: Faces in the Crowd: The Modern Figure and Avant-Garde Realism
• Éditeur: Skira, Milan, Italy
• Date de parution: 2005
• Langue: anglais
• ISBN à 10 chiffres: 8876240691
• ISBN à 13 chiffres: 9788876240690
• Reliure: Soft cover
• Édition: 1st Edition
• État de l'article: Near Fine

A propos de ce titre

Synopsis

Il volume è il catalogo della mostra di Rivoli (Museo d'Arte Contemporanea, 6 aprile - 10 luglio 2005) e Londra (Whitechapel Gallery, 3 dicembre 2004 - 6 marzo 2005). Da Édouard Manet a importanti pittori e scultori quali Ensor, Boccioni, Duchamp, Kollwitz, Kirchner, Beckmann, Magritte, Picasso, Hopper, Warhol, Hamilton, Pistoletto, Richter, Acconci, Sherman, Schütte, Ofili e Kentridge, e fotografi quali Atget, Brassaï, Evans, Levitt, Arnold, Weegee, Giacomelli, Goldin e Keïta, "Volti nella folla traccia" la storia dell'arte figurativa dal 1870 fino a oggi, attraverso le opere di cento artisti.

Présentation de l'éditeur

“The apparition of these faces in the crowd; petals on a wet, black bough.” ― Ezra Pound
Pound’s celebrated haiku powerfully evokes the situation of the individual in the metropolis: personalities suspended in a moment within the life of the city. The Whitechapel Gallery, London and Castello di Rivoli in Turin, Italy organized Faces in the Crowd as an exploration of this condition of modernity seen in realist art, especially art of the human face and form. The exhibition and its catalog trace a history of avant-garde figuration from a new perspective.
Taking Manet’s The Masked Ball at the Opera as its starting point, the book focuses on his contemporaries such as Degas and then moves through the twentieth century to artists of today. Some artworks represent a dramatic rupture with the past proposing radical and innovative modern forms and structures. Others picture modern life or its impact on our inner selves. Others consider art as an agent for further social change. All the works include critical and bibliographical entries, plus a selection of extracts from historical documents and artists writings from the 19th-century to today. Taken together this art fully illuminates its theme in which representations of the human figure are seen as expressions of modernity.
Exhibition schedule:

The Whitechapel Art Gallery, London
December 3, 2004 — February 28, 2005
Castello di Rivoli, Turin
April 4, 2005 — July 10, 2005