GIOTTO'S FATHER AND THE FAMILY OF VASARI'S LIVES

BAROLSKY, PAUL

ISBN 10: 0271007621 / ISBN 13: 9780271007625

Edité par Pennsylvania, U.S.A., 1992

A propos de cet article

University Park: Pennsylvania State University Press. 1992. First edition. 138 pages. Cloth, fine copy in fine dust jacket.

N° de réf. du vendeur 092715

Détails bibliographiques

• Titre: GIOTTO'S FATHER AND THE FAMILY OF VASARI'S LIVES
• Éditeur: Pennsylvania, U.S.A.
• Date de parution: 1992
• Langue: anglais
• ISBN à 10 chiffres: 0271007621
• ISBN à 13 chiffres: 9780271007625
• Reliure: Hardcover
• Édition: 1st Edition
• État de l'article: Fine
• État de la jaquette: Fine

A propos de ce titre

Synopsis

In Giotto's Father Barolsky shows that Vasari's Lives is a major source for the social history of Italian Renaissance art. This book completes the author's Vasari trilogy, begun with Michelangelo's Nose and Why Mona Lisa Smiles. Giotto's Father is the first book to examine the extensive and deep theme of family in Vasari's Lives and to explain its importance in the study of the image of the family in the sixteenth century. The world of the artist's workshop was closely tied to the artist's family life. Artists were often trained by their fathers, and they sometimes married into the families of other artists. It is thus reasonable for Vasari to have viewed the community of artists as an extended family or brotherhood presided over by major patriarchal figures, for example, Giotto, Ghiberti, and Raphael. Building on the view of Vasari's work as a highly wrought, complex work of fiction, Barolsky shows how the Lives is not just a series of biographies of artists but a sustained, detailed, and highly fictionalized account of artists' families. In very nearly every biography, Vasari makes up stories of paternal blessing, of filial piety or prodigality, of noble and ignoble wives, of greedy, cruel, or violent relatives―tales that tell us a great deal about Vasari's own family in particular and about Renaissance family relations in general. Barolsky's explanation of just how deeply ideas about family inform Vasari's Lives provides a new and more complex understanding of one of the most important sources for the comprehension of the Renaissance artist. Vasari's family stories are often so fanciful that historians and art historians frequently ignore them because they seem unreliable. Barolsky compares these family tales to those told by Cellini, Michelangelo, and Bandinelli and shows that, although fictional, Vasari's stories ring true to the sentiments expressed by his contemporaries in their own fictionalized family histories. Fictions provide valuable clues to the realities that they metaphorically describe. As an extended historical fiction, Vasari's book tells us a great deal about the emotions, aspirations, and ideals of Renaissance life.

À propos de l?auteur

Paul Barolsky is Professor of the History of Art at the University of Virginia. He is the author of Why Mona Lisa Smiles and Other Tales by Vasari (Penn State, 1991), Michelangelo's Nose (Penn State, 1990), Walter Pater's Renaissance"(Penn State, 1987), Daniele da Volterra: A Catalogue Raisonné (1979), and Infinite Jest: Wit and Humor in Italian Renaissance Art (1978).