GOD & THE GOTHIC: RELIGION, ROMANCE, AND THE REALITY IN THE ENGLISH LITERARY TRADITION.

MILBANK, Alison,

ISBN 10: 0198824467 / ISBN 13: 9780198824466

Edité par Oxford University Press, Oxford, 2018

A propos de cet article

8vo. Pp: x, 354. First Edition First Printing. Publisher's beige and brown illustrated dust jacket with black and grey lettering. Publisher's black boards lettered in gilt at spine.ISBN: 9780198824466 Very good plus in very good plus dust jacket. Some light edge wear to dust jacket.

N° de réf. du vendeur C71979

Détails bibliographiques

• Titre: GOD & THE GOTHIC: RELIGION, ROMANCE, AND THE REALITY IN THE ENGLISH LITERARY TRADITION.
• Éditeur: Oxford University Press, Oxford
• Date de parution: 2018
• Langue: anglais
• ISBN à 10 chiffres: 0198824467
• ISBN à 13 chiffres: 9780198824466
• Reliure: Couverture rigide
• Édition: Edition originale
• État de la jaquette: Jaquette

A propos de ce titre

Synopsis

God and the Gothic: Romance and Reality in the English Literary Tradition provides a complete reimagining of the Gothic literary canon to examine its engagement with theological ideas, tracing its origins to the apocalyptic critique of the Reformation female martyrs, and to the Dissolution of the monasteries, now seen as usurping authorities. A double gesture of repudiation and regret is evident in the consequent search for political, aesthetic, and religious mediation, which characterizes the aftermath of the Glorious Revolution and Whig Providential discourse. Part one interprets eighteenth-century Gothic novels in terms of this Whig debate about the true heir, culminating in Ann Radcliffe's melancholic theology which uses distance and loss to enable a new mediation. Part two traces the origins of the doppelgänger in Calvinist anthropology and establishes that its employment by a range of Scottish writers offers a productive mode of subjectivity, necessary in a culture equally concerned with historical continuity. In part three, Irish Gothic is shown to be seeking ways to mediate between Catholic and Protestant identities through models of sacrifice and ecumenism, while in part four nineteenth-century Gothic is read as increasingly theological, responding to materialism by a project of re-enchantment. Ghost story writers assert the metaphysical priority of the supernatural to establish the material world. Arthur Machen and other Order of the Golden Dawn members explore the double and other Gothic tropes as modes of mystical ascent, while raising the physical to the spiritual through magical control, and the M. R. James circle restore the sacramental and psychical efficacy of objects.

À propos de l?auteur

Alison Milbank is Associate Professor of Literature and Theology at the University of Nottingham. She was John Rylands Research Fellow at the University of Manchester and after a temporary position at Cambridge, taught for five years at the University of Virginia. She has taught at Nottingham since 2004, and is also Priest Vicar and Canon Theologian at Southwell Minster. She has published widely on the Gothic, also publishes on Anglican ecclesiology and theology. Her publications include Daughters of the House: Modes of the Gothic in Victorian Fiction (1992) and Preaching Radical and Orthodox (co-edited with John Hughes and Arabella Milbank; 2017).