The George Gershwin Reader (Readers on American Musicians)

Wyatt, Robert and Johnson, John Andrew

ISBN 10: 0195130197 / ISBN 13: 9780195130195

Edité par Oxford University Press, 2004

A propos de cet article

our photos, binding is solid, light shelf rub on dust jacket, text is free of markings, no previous owner name, we ship quickly with tracking.

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Détails bibliographiques

• Titre: The George Gershwin Reader (Readers on American Musicians)
• Éditeur: Oxford University Press
• Date de parution: 2004
• Langue: anglais
• ISBN à 10 chiffres: 0195130197
• ISBN à 13 chiffres: 9780195130195
• Reliure: Couverture rigide
• Édition: Edition originale
• État de l'article: Comme neuf
• Dimensions: 1,2 L x 9,5 H x 6,3 P (en pouces) 1,2 pouces de largeur par 9,5 pouces de hauteur par 6,3 pouces de profondeur
• Poids: 1,451 livre

A propos de ce titre

Synopsis

George Gershwin is one of the giants of American music, unique in that he was both a brilliant writer of popular songs ("Swanee," "I Got Rhythm," "They Can't Take That Away From Me") and of more serious music, including "Rhapsody in Blue," "An American in Paris," and "Porgy and Bess." Now, in The George Gershwin Reader, music lovers are treated to a spectacular celebration of this great American composer. The Reader offers a kaleidoscopic collection of writings by and about Gershwin, including more than eighty pieces of superb variety, color, and depth. There is a who's who of famous commentators: bandleader Paul Whiteman; critics Robert Benchley, Alexander Woollcott, and Brooks Atkinson; fellow musicians Irving Berlin, Jerome Kern, Alec Wilder (who analyzes the songs "That Certain Feeling" and "A Foggy Day"), Leonard Bernstein, and the formidable modernist composer Arnold Schoenberg (who was Gershwin's tennis partner in Hollywood). Some of the most fascinating and important writings here deal with the critical debate over Gershwin's concert pieces, especially "Rhapsody in Blue" and "An American in Paris," and there is a complete section devoted to the controversies over "Porgy and Bess," including correspondence between Gershwin and DuBose Hayward, the opera's librettist (a series of excerpts which illuminate the creative process), plus unique interviews with the original Porgy and Bess-Todd Duncan and Anne Brown. Sprinkled throughout the book are excerpts from Gershwin's own letters, which offer unique insight into this fascinating and charming man. Along with a detailed chronology of the composer's life, the editors provide informative introductions to each entry. Here then is a book for anyone interested in American music. Scholars, performers, and Gershwin's legions of fans will find it an irresistible feast.

Présentation de l'éditeur

George Gershwin is one of the giants of American music, unique in that he was both a brilliant writer of popular songs and of more serious music. Here, music lovers are reated to a spectacular celebration of this great American composer. The Reader offers a kaleidoscopic collection of writings by Gershwin, as well as those about Gershwin, written by a who's who of famous commentators. More than eighty pieces of superb variety, color, and depth include the critical debate over Gershwin's concert pieces, especially "Rhapsody in Blue" and "An American in Paris." There is a complete section devoted to the controversies over "Porgy and Bess," including correspondence between Gershwin and DuBose Hayward, the opera's librettist, plus unique interviews with the original Porgy and Bess--Todd Duncan and Anne Brown. Sprinkled throughout the book are excerpts from Gershwin's own letters, which offer unique insight into this fascinating and charming man. Along with a detailed chronology of the composer's life, the editors provide informative introductions to each entry. Here is a book for anyone interested in American music. Scholars, performers, and Gershwin's legions of fans will find it an irresistible feast.