HANDEL (Oxford Master Musicians Series)

Donald Burrows. Series edited by Stanley Sadie

ISBN 10: 019816470X / ISBN 13: 9780198164708

Edité par Oxford University Press, UK, 1994

A propos de cet article

1994 hardback in jacket. 24x16cm. . xii+491 pages with index. Clean & tight book. No inscriptions. Jacket is not torn. Front flap is not price-clipped: £25. Jacket is now under clear removable covers. Dispatched Royal Mail First Class with tracking next working day or sooner securely boxed in cardboard. ref HO. HANDEL by Donald Burrows Oxford University Press Master Musicians Series.

N° de réf. du vendeur 037784

Détails bibliographiques

• Titre: HANDEL (Oxford Master Musicians Series)
• Éditeur: Oxford University Press, UK
• Date de parution: 1994
• Langue: anglais
• ISBN à 10 chiffres: 019816470X
• ISBN à 13 chiffres: 9780198164708
• Reliure: Hardcover
• Édition: 1st Edition
• Impression: 1st Printing
• État de l'article: Very Good
• État de la jaquette: Very Good

A propos de ce titre

Synopsis

Although such works as Messiah and the Water Music have remained firmly in the repertory since their composition, only recently have the delights of Handel's operas been rediscovered: his lyrical arias, sublime choral style and large-scale musical canvasses. Centring on Handel's pre-eminence as a composer of opera and oratorio, Donald Burrow's comprehensive and accessible study also covers all other important genres, such as the concerto and church music. Taking account of the most modern scholarship, and drawing on his experience as an editor, performer and conductor, Donald Burrows charts the interaction of life and music, from handel's childhood and student years, through his successive professional activities in Germany and Italy, to his establishment as Georgian England's greatest composer. This book is intended for musicians, general music lovers, students of music from A-level onwards, university music departments, opera lovers, performers of church music and oratorios.

Présentation de l'éditeur

George Frideric Handel was a defining figure of the late Baroque era, shaping its music for the theatre in much the same way J.S. Bach dominated the writing of music for use in church. Perhaps best known for bringing the oratorio form to an English-speaking audience with masterworks such as Messiah, Handel also had a distinguished career, as a composer of Italian operas, and furthermore found time to influence the development of orchestral music by writing such works as the Water Music and Music for the Royal Fireworks. Donald Burrows's new biography relates Handel's life and his music, devoting particular attention to two crucial junctures in Handel's development: his transition from a church-trained musician in Germany to a successful opera composer in London, and the gradual transformation of his theatre career from opera to oratorio, some thirty years later. In the oratorio form, as Burrows demonstrates, Handel was able to combine the techniques of large-scale construction and of aria writing that he had developed in his operas with an experience of choral music that went back to his earliest training as a church organist. The result was music that succeeds to this day in capturing the imagination of a vast audience. The last half-century has seen Handel take a major place in modern musical scholarship. This book takes into account not only recent knowledge of historical sources and significant studies of Handel's major works, but also research on Handel's `borrowing' practices, his habit of using the existing musical ideas of other composers as well as his own. Yet Handel remains unsurpassed as one of the greatest compositional architects in the history of Western music, with a sure instinct for both balance and originality in the final result. In this insightful study, Donald Burrows brings to life not only the glory of Handel's artistry, but also his sometimes elusive personality and the flavour of the times and places in which he lived.